Double Vision: The Cinema Of Robert Beavers,New

A lavishly illustrated inside account of one of avantgarde films most original outsiders, the filmmaker Robert Beavers.Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avantgarde filmmaker. Until now, Beaverss dramatic life of itinerant selfimposed exile and resistance to commercial circulation has obscured his recognition as one of todays most significant living filmmakers. In Double Vision, Rebekah Rutkoffthe first scholar to have full access to Beaverss writing archivepulls back the curtain to shed light on this deeply original underground figure and reveal the way Beaverss films explore nonoptical seeingawareness itselfas an outcome of cinematic sight.Born in the United States, Beavers moved to Europe as a teenager with his partner, filmmaker Gregory Markopoulos, in 1967. Over the following decades, he developed a unique cinematic language that fuses spiritual aims with cultural critique and braids domestic and erotic selfportraiture with studies of colored light and his own filmmaking process. Rutkoff uses the concept of double vision as a lens to explore the poetic feedback loop between Beaverss filmmaking and writing practices, examine how his lifestory and art are both inextricably bound to and distinct from Markopouloss, and demonstrate how his films defy standard art historical genealogies and binary thought. Richly illustrated with compelling film stills, many never before seen, Rutkoffs definitive account of this outsider artist stands as the most detailed, knowledgeable, and fully researched to date. Double Vision celebrates Beaverss singular vision and promises to make him known to all those who have not yet encountered his work.