Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,Used
Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,Used

Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,Used

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This is a story of art and movement building at the limits of imagination. In their darkest hours, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, but forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces "cooperatives," local challenges to global capital, where people pooled all they had to meet their needs. By reading their activism as an artistic practice, Irvin Hunt argues that their primary need was to free their movement from the logic of progress. From a remarkably diverse archive, Hunt extrapolates three new ways to describe the time of a movement: a continual beginning, a deliberate falling apart, and a simultaneity, a kind of allatonceness. These temporalities reflect how a people maneuvered the law, reappropriated property, built autonomous communities, and fundamentally reimagined what a movement can be. Their movement was not the dream of a brighter day; it was the making of today out of the stuff of dreams. Hunt offers both an original account of Black mutual aid and, in a world of diminishing futures, a moving meditation on the possibilities of the present.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: What is the page count of this book? A: This book has two hundred eighty pages. It provides an in-depth exploration of art and the Black Cooperative Movement.
  • Q: What are the dimensions of the book? A: The book measures six point twelve inches in length, zero point sixty-four inches in width, and nine point twenty-five inches in height.
  • Q: What is the binding type of this book? A: The book is available in paperback binding. This makes it lightweight and easy to handle for reading.
  • Q: How do I read this book? A: You can read this book like any standard paperback. Simply open it and begin reading from the first page to explore its themes.
  • Q: Is this book suitable for all ages? A: Yes, this book is suitable for a general audience. However, it is recommended for readers who are interested in complex social movements and history.
  • Q: What themes does this book cover? A: The book explores themes of art, movement building, and the Black Cooperative Movement. It discusses how these elements intersect with social activism.
  • Q: How should I store this book? A: Store this book in a cool, dry place, ideally upright on a shelf. This helps prevent any warping or damage over time.
  • Q: Can I keep this book in direct sunlight? A: No, it is not recommended to keep this book in direct sunlight. Prolonged exposure can fade the cover and pages.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the retailer for return or exchange options. Most retailers have customer service policies in place for such issues.
  • Q: How do I contact support for this book? A: You can typically contact support through the retailer's website or customer service number. They can assist with inquiries regarding your purchase.
  • Q: Is there a warranty for this book? A: No, books do not usually come with a warranty. However, return policies may vary by retailer.
  • Q: How does this book compare to others in its genre? A: This book stands out due to its unique blend of art and historical analysis of the Black Cooperative Movement, offering a fresh perspective.
  • Q: Is this book appropriate for research purposes? A: Yes, this book is appropriate for research. It provides valuable insights and references regarding Black mutual aid and social movements.
  • Q: What audience is this book best suited for? A: This book is best suited for scholars, students, and anyone interested in economics, social justice, and art movements.
  • Q: Can this book be used for classroom discussions? A: Yes, this book can be an excellent resource for classroom discussions on social movements and cooperative economics.
  • Q: Are there references or citations in this book? A: Yes, the book includes references and citations supporting its claims and analyses, making it a credible academic resource.

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