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Early Cinema: Space, Frame, Narrative,Used
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In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the socalled pioneers Melies, Lumiere, Porter, and Griffith while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.
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- Q: What is the page count of the book? A: The book has four hundred thirty-two pages. This makes it a substantial read for those interested in early cinema.
- Q: What is the binding type of this book? A: The book is published in paperback. This makes it lightweight and easy to handle for readers.
- Q: Who is the author of 'Early Cinema: Space, Frame, Narrative'? A: The author is Thomas Elsaesser. He is a recognized figure in film studies and has contributed significantly to this field.
- Q: What genre does this book fall under? A: The book falls under the Performing Arts category. It specifically explores the history and development of early cinema.
- Q: What are the dimensions of the book? A: The book measures six point fourteen inches in length, zero point eighty-eight inches in width, and nine point twenty-one inches in height. These dimensions make it a convenient size for reading.
- Q: How should I read this book? A: You can read this book at your own pace, as it is suitable for anyone interested in film history. It's ideal for both scholars and casual readers.
- Q: Is this book suitable for beginners in film studies? A: Yes, this book is suitable for beginners. It provides a comprehensive overview of early cinema, making it accessible to new learners.
- Q: What themes are covered in this book? A: The book covers themes of storytelling, representation, and the evolution of cinema as an industry. It also discusses contributions from notable filmmakers.
- Q: Can this book be used as a textbook? A: Yes, this book can be used as a textbook. Its scholarly essays and comprehensive overview make it valuable for academic courses.
- Q: How should I store this book to keep it in good condition? A: Store this book in a cool, dry place away from direct sunlight. This will help preserve its quality and prevent damage.
- Q: Is this book safe for young readers? A: Yes, this book is generally safe for young readers, but it is best suited for older teens and adults due to its scholarly content.
- Q: What should I do if my book arrives damaged? A: If your book arrives damaged, contact the seller for a return or exchange. Most retailers have policies in place for such issues.
- Q: How do I clean the book if it gets dirty? A: To clean the book, gently wipe the cover with a soft, damp cloth. Avoid using harsh chemicals that could damage the material.
- Q: What if I want to return the book? A: You can return the book as per the retailer's return policy. Make sure to check the time frame for returns.
- Q: Does this book offer new perspectives on early filmmakers? A: Yes, the book offers new perspectives on early filmmakers like Melies and Griffith. It includes analyses that enrich the understanding of their contributions.