Early Italian Art (Art Of Century)

Early Italian Art (Art Of Century)

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Swinging Between The Majesty Of The Grecobyzantine Heritage And The Modernity Forecasted By Giotto, Early Italians Art Summarise The First Steps That Lead To The Renaissance. Trying Out New Mediums, Those First Artists Little By Little Left Frescoes For Removable Panels. If Hieratic Faces Can Offend Our Neophyte Eyes, This Detachment Was Requested At That Time. It Highlighted The Divinity Of The Character, Comforting The Sacrality By A Background Covered With Gold Leaves. The Elegance Of The Line And The Colour Choice Combined To Reinforce The Symbolic Choices, Halfconfessed Ultimate Goal Of The Early Italians Artists: Make The Invisible Visible. The Author, In The Magnificent Book, Takes Up With Emphasizing The Importance That The Rivalry Between The Siennese And Florentine Shools Played, For The Evolution Of Art History. And The Reader, In The Course Of These Forgotten Masterworks, Will Discover How, Little By Little, The Sacred Became Incarnate And More Human Opening A Discrete But Definitive Door Through The Anthropomorphism, Cherished By The Renaissance.

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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main theme of 'Early Italian Art'? A: The main theme of 'Early Italian Art' revolves around the transition from the Greco-Byzantine style to the early steps leading to the Renaissance, highlighting the importance of the rivalry between the Siennese and Florentine schools.
  • Q: Who is the author of this book? A: The author of 'Early Italian Art' is Joseph Archer Crowe.
  • Q: What type of binding does this book have? A: This book is available in hardcover binding.
  • Q: How many pages are in 'Early Italian Art'? A: 'Early Italian Art' contains 200 pages.
  • Q: When was 'Early Italian Art' published? A: 'Early Italian Art' was published on December 30, 2011.
  • Q: Is 'Early Italian Art' illustrated? A: Yes, 'Early Italian Art' is an illustrated edition, featuring visual representations of the discussed artworks.
  • Q: What artistic techniques are explored in this book? A: The book explores the use of new mediums by early Italian artists, including the shift from frescoes to removable panels.
  • Q: What is the significance of the gold leaf background in early Italian art? A: The gold leaf background in early Italian art was used to emphasize the divinity of characters and enhanced the sacredness of the depicted scenes.
  • Q: Does this book discuss the evolution of art from sacred to humanistic themes? A: Yes, the book discusses how early Italian artists gradually made the sacred more human, paving the way for anthropomorphism celebrated by the Renaissance.
  • Q: Is there any specific art school rivalry discussed in the book? A: Yes, the book emphasizes the rivalry between the Siennese and Florentine schools and its impact on the evolution of art history.