Eisenstein, Cinema, and History,Used

Eisenstein, Cinema, and History,Used

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Among early directors, Sergei Eisenteinstands alone as the maker of a fully historical cinema. James Goodwin treatsissues of revolutionary history and historical representation as central toan understanding of Eisentein's work, which explores two movements within Soviethistory and consciousness: the Bolshevik Revolution and the Stalinist state.Goodwin articulates intersectionsbetween Eisentein's ideas and aspects of the thought of Walter Benjamin, GeorgLukcs, Ernst Bloch, and Bertolt Brecht. He also shows how the formalproperties and filmic techniques of each work reveal perspectives on history. Individual chapters focus on Strike, Battleship Potemkin, October, Oldand New, projects of the 1930s, Alexander Nevsky, and Ivan theTerrible.

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Frequently Asked Questions

  • Q: What is the main focus of 'Eisenstein, Cinema, and History'? A: The book focuses on Sergei Eisenstein's contributions to historical cinema, exploring revolutionary history and historical representation, particularly in the context of the Bolshevik Revolution and the Stalinist state.
  • Q: Who is the author of this book? A: The author of 'Eisenstein, Cinema, and History' is James Goodwin.
  • Q: What are the notable themes discussed in the book? A: The book discusses themes such as revolutionary history, historical representation, and the intersections of Eisenstein's work with the thoughts of prominent figures like Walter Benjamin and Bertolt Brecht.
  • Q: How many pages does the book contain? A: The book contains 274 pages.
  • Q: What is the binding type of this edition? A: This edition is a paperback binding.
  • Q: When was 'Eisenstein, Cinema, and History' published? A: The book was published on February 1, 1993.
  • Q: Is this book a first edition? A: Yes, this is the First Edition (US) First Printing of the book.
  • Q: What condition is the book in? A: The book is in New condition.
  • Q: What specific films by Eisenstein are discussed in the book? A: The book discusses films such as Strike, Battleship Potemkin, October, Old and New, Alexander Nevsky, and Ivan the Terrible.
  • Q: Does the book include analysis of Eisenstein's film techniques? A: Yes, the book includes an analysis of the formal properties and filmic techniques used by Eisenstein, revealing perspectives on history.