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Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction),New
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Intaglio printmaking involves engraving or incising a figure in stone or other hard material to obtain an impression from the subsurface design. In this thorough handbook, a noted printmaker and teacher offers complete uptodate coverage of etching, engraving, drypoint, and other wellknown intaglio techniques, as well as such lessfamiliar methods as tuilegraphs, collagraphs, and transfers.The first part of the book is devoted to a thorough introduction to materials and tools, printing equipment, papers, presseseven how to set up your workshop for maximum safety and efficiency. In Part Two, the author proceeds to a detailed discussion of etching techniques, including formulas for grounds and inks, aquatint, white ground, hard ground, soft ground, sugar lift, and acids.Once familiar with basic etching techniques, the student is then given precise illustrated instructions in printing techniques, including basic printing, double intaglio printing (the author's own method); color printing and embossing, the viscosity method, and viscosity and aquatint. For each procedure, clear, stepbystep directions cover the process itself, materials and equipment required, and cleanup. An especially helpful 'what went wrong' section at the end of each chapter diagnoses problems and offers solutions.In Part 4 Ms. Leaf details other mediums and methods: drypoint, notable for its characteristic velvety dark lines; engraving, one of the earliest forms of expression known to man, dating back to prehistoric times; collagraphs, plates made in the same way as collages and then printed; and the Blake Transfer Method, adapted from a technique developed by the English artist and poet William Blake (17571827).A final Appendix treats such ancillary topics as framing and matting prints, storage, agents, and where to sell and show your work. Enhanced with over 220 illustrations, including works by Rembrandt, Callot, Drer, Goya, and Brueghel, and a wealth of illustrative figures and photographs, this precise and detailed manual belongs at the side of any serious printmaker, novice, or inkstained veteran.'Excellent, comprehensive . . . superbly organized.' AB Bookman's Weekly.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the main focus of 'Etching, Engraving and Other Intaglio Printmaking Techniques'? A: The book provides comprehensive coverage of various intaglio printmaking techniques, including etching, engraving, drypoint, and less common methods like collagraphs and transfers.
- Q: Who is the author of this printmaking guide? A: The author of the book is Ruth Leaf, a noted printmaker and teacher.
- Q: What materials and tools are discussed in the book? A: The first part of the book introduces essential materials and tools, printing equipment, types of papers, presses, and workshop setup for safety and efficiency.
- Q: Are there illustrations included in the book? A: Yes, the book is enhanced with over 220 illustrations, including works by famous artists such as Rembrandt and Dürer, along with various illustrative figures and photographs.
- Q: Does the book provide troubleshooting advice for printmaking? A: Yes, each chapter includes a 'what went wrong' section that helps diagnose common problems and offers solutions.
- Q: What are some specific techniques covered in the book? A: Techniques covered include aquatint, hard ground, soft ground, sugar lift, and double intaglio printing, among others.
- Q: Is this book suitable for beginners in printmaking? A: Absolutely. The book is designed for both novices and experienced printmakers, providing clear, step-by-step instructions.
- Q: What is the binding type of this book? A: The book is available in paperback binding.
- Q: When was 'Etching, Engraving and Other Intaglio Printmaking Techniques' published? A: The book was published on October 1, 1984.
- Q: How many pages does the book contain? A: The book contains 240 pages.