Examples Of Gregorian Chant & Sacred Music Of The 16Th Century,New
Examples Of Gregorian Chant & Sacred Music Of The 16Th Century,New
Examples Of Gregorian Chant & Sacred Music Of The 16Th Century,New

Examples Of Gregorian Chant & Sacred Music Of The 16Th Century,New

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The Only Systematic Survey Of Its Kind! The Great Composers Of The Sixteenth Century Palestrina, Victoria, Des Pres, Lassus, And Morales Employed A Common Body Of Techniques In Their Approach To Ecclesiastical Art Music Before The Development Of Harmony. Now Available From Waveland Press, This Systematic Survey Of Examples Of Their Music Stresses These Similarities, Thereby Helping Musicians To Master The Techniques Of Sixteenthcentury Counterpoint. Since The Basis Of Mastery Lies In The Ability To Understand And To Write In Two And Three Voices, The Editors Have Included Twentysix Examples Of Twovoice Writing And Twentyseven Examples Of Threevoice Writing. Samples Of Four And Fivevoice Writing, As Well As Larger, Multimovement Masses, Have Been Included For More Advanced Students. Identification Of Sources, Commentary And Translations Are Provided At The End Of The Collection.Title Of Related Interest Also Available From Waveland Press: Gauldin, A Practical Approach To Sixteenthcentury Counterpoint (Isbn 9780881338522).

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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does this book have? A: This book has three hundred and three pages. It provides a comprehensive survey of sixteenth-century sacred music.
  • Q: What is the binding type of this book? A: The book is available in paperback binding. This makes it easy to handle and read.
  • Q: What are the dimensions of this book? A: The dimensions are eight point seventy-five inches in length, zero point seventy-five inches in width, and eleven point twenty-six inches in height. This size is typical for academic books.
  • Q: What is the main subject of this book? A: The book focuses on Gregorian chant and sacred music from the sixteenth century. It highlights techniques used by composers like Palestrina and Victoria.
  • Q: Who is the author of this book? A: The author is Gustave Fredric Soderlund. He is known for his expertise in music history.
  • Q: Is this book suitable for beginners? A: Yes, this book is suitable for beginners. It includes examples designed to help them master two and three-voice writing.
  • Q: Can advanced students benefit from this book? A: Yes, advanced students can benefit from this book. It includes examples of four and five-voice writing for more complex study.
  • Q: How should I approach reading this book? A: You should read this book by focusing on the examples provided. Pay attention to the commentary and translations that follow.
  • Q: Is this book appropriate for children? A: Yes, the content is appropriate for older children interested in music history. However, parental guidance is recommended.
  • Q: What is the recommended usage of this book? A: This book is recommended for music students and educators. It serves as a resource for understanding sixteenth-century counterpoint.
  • Q: How should I store this book? A: Store this book in a cool, dry place, away from direct sunlight. This will help preserve its condition over time.
  • Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact customer service for a return or exchange. Always keep the original packaging for returns.
  • Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, you may return it if it is defective upon arrival.
  • Q: Can I find similar books from the same publisher? A: Yes, a related title is 'A Practical Approach to Sixteenth-Century Counterpoint' by Gauldin, available from Waveland Press.
  • Q: How can I maximize my learning from this book? A: To maximize learning, practice the musical examples and use the commentary for deeper understanding. Engage with the material actively.

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