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Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking,Used
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A behindthescenes look at the extraordinary and meticulous design of graphic objects for film setsAlthough graphic props such as invitations, letters, tickets, and packaging are rarely seen closeup by a cinema audience, they are designed in painstaking detail. Dublinbased designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the main focus of 'Fake Love Letters, Forged Telegrams, and Prison Escape Maps'? A: The book focuses on the meticulous design of graphic props used in filmmaking, highlighting the creative process behind objects like letters, invitations, and tickets.
- Q: Who is the author of this book? A: The author is Annie Atkins, a Dublin-based designer known for her work in graphic prop design for films.
- Q: How many pages does the book contain? A: The book contains 208 pages, providing an in-depth look at graphic prop design.
- Q: What is the publication date of this book? A: The book was published on February 26, 2020.
- Q: Is this book suitable for beginners in filmmaking? A: Yes, the book is accessible for beginners, offering insights into graphic prop design that can benefit both novice and experienced filmmakers.
- Q: What type of binding does the book have? A: The book is available in a paperback binding, making it easy to handle and read.
- Q: Are there any illustrations or examples in the book? A: Yes, the book features visually stunning examples of graphic props that showcase the detailed design process.
- Q: Does this book cover the historical context of graphic props? A: While the primary focus is on design, the book may touch on the historical context of graphic props within filmmaking.
- Q: Can this book be a resource for film students? A: Absolutely, it serves as a valuable resource for film students interested in the art of graphic design for film.
- Q: What genre does this book fall under? A: The book falls under the category of Performing Arts, specifically focusing on film production design.