Title
Fatalism In American Film Noir: Some Cinematic Philosophy (Pagebarbour Lectures),Used
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The crime melodramas of the 1940s known now as film noir shared many formal and thematic elements, from unusual camera angles and lighting to moral ambiguity and femmes fatales. In this book Robert Pippin argues that many of these films also raise distinctly philosophical questions. Where most Hollywood films of that era featured reflective individuals living with purpose, taking action and effecting desired consequences, the typical noir protagonist deliberates and plans, only to be confronted by the irrelevance of such deliberation and by results that contrast sharply, often tragically, with his or her intentions or true commitments. Pippin shows how this terrible disconnect sheds light on one of the central issues in modern philosophythe nature of human agency. How do we distinguish what people do from what merely happens to them? Looking at several film noirsincluding close readings of three classics of the genre, Fritz Langs Scarlet Street, Orson Welless The Lady from Shanghai, and Jacques Tourneurs Out of the PastPippin reveals the ways in which these works explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.
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- Q: What is the page count of this book? A: This book has one hundred fifty-two pages. It provides an in-depth exploration of philosophical themes in film noir.
- Q: What are the dimensions of this book? A: The dimensions are five point five one inches by one point two six inches by eight point five inches. This size makes it easy to handle and read.
- Q: What type of binding does this book have? A: This book is hardcover bound. Hardcover bindings are known for their durability and longevity.
- Q: Who is the author of this book? A: The author is Robert B. Pippin. He is known for his philosophical insights into cinema and literature.
- Q: What is the main theme of this book? A: The main theme is the philosophical exploration of human agency in film noir. It examines how characters grapple with moral ambiguity.
- Q: What genre does this book belong to? A: This book belongs to the Performing Arts genre. It focuses on the intersection of philosophy and cinema.
- Q: How should I approach reading this book? A: You can read this book at your own pace, but it's recommended for those interested in film studies or philosophy. The content is suitable for readers with an interest in critical analysis.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It provides insights that can be useful in film theory and philosophy courses.
- Q: Can I use this book as a reference for essays? A: Yes, you can use this book as a reference. It offers philosophical arguments that are applicable in academic essays on film.
- Q: How should I store this book to keep it in good condition? A: Store this book upright on a shelf to prevent warping. Avoid exposing it to direct sunlight to maintain its cover and pages.
- Q: Is there a recommended method for cleaning this book? A: To clean this book, gently wipe the cover with a soft, dry cloth. Avoid using liquids, as they can damage the pages.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you can contact the seller for a return or exchange. Keep the original packaging for returns.
- Q: Is there a warranty for this book? A: No, there is typically no warranty for books. However, you can check with the seller about their return policy.
- Q: Can I read this book on a Kindle or e-reader? A: This book is not available in a digital format. It is only available in hardcover.
- Q: What is the publication date of this book? A: The publication date is not specified in the provided details. Please check with the publisher for more information.