Title
Fatalism In American Film Noir: Some Cinematic Philosophy (Pagebarbour Lectures),Used
Delivery time: 8-12 business days (International)
The crime melodramas of the 1940s known now as film noir shared many formal and thematic elements, from unusual camera angles and lighting to moral ambiguity and femmes fatales. In this book Robert Pippin argues that many of these films also raise distinctly philosophical questions. Where most Hollywood films of that era featured reflective individuals living with purpose, taking action and effecting desired consequences, the typical noir protagonist deliberates and plans, only to be confronted by the irrelevance of such deliberation and by results that contrast sharply, often tragically, with his or her intentions or true commitments. Pippin shows how this terrible disconnect sheds light on one of the central issues in modern philosophythe nature of human agency. How do we distinguish what people do from what merely happens to them? Looking at several film noirsincluding close readings of three classics of the genre, Fritz Langs Scarlet Street, Orson Welless The Lady from Shanghai, and Jacques Tourneurs Out of the PastPippin reveals the ways in which these works explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main theme of 'Fatalism in American Film Noir'? A: The main theme of the book revolves around the philosophical questions raised by film noir, particularly the nature of human agency and how individuals confront the irrelevance of their actions in the face of unforeseen consequences.
- Q: Who is the author of this book? A: The author of 'Fatalism in American Film Noir' is Robert B. Pippin.
- Q: What type of binding does this book have? A: This book is bound in hardcover.
- Q: How many pages are in 'Fatalism in American Film Noir'? A: The book contains 152 pages.
- Q: When was 'Fatalism in American Film Noir' published? A: The book was published on February 22, 2012.
- Q: What condition is the book in? A: The book is listed as being in good condition.
- Q: Does the book include illustrations? A: Yes, this edition of the book is illustrated.
- Q: What genre does this book fall under? A: The book falls under the category of Performing Arts.
- Q: What films are analyzed in the book? A: The book closely analyzes several film noirs, including Fritz Lang’s 'Scarlet Street', Orson Welles’s 'The Lady from Shanghai', and Jacques Tourneur’s 'Out of the Past'.
- Q: What philosophical issues does Robert Pippin address in the book? A: Pippin addresses the disconnect between human intentions and outcomes, exploring how this reflects on modern philosophical discussions about agency.