Title
Feminism And Documentary (Volume 5) (Visible Evidence)
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Documentary And Feminist Film Studies Have Long Been Separate Or Parallel Universes That Need To Converse Or Collide. The Essays In This Volume, Written By Prominent Scholars And Filmmakers, Demonstrate The Challenges That Feminist Perspectives Pose For Documentary Theory, History, And Practice. They Also Show How Fuller Attention To Documentary Enriches And Complicates Feminist Theory, Especially Regarding The Relationship Between Gender And Sexuality, Race And Ethnicity, Class And Nation. Feminism And Documentary Begins With A Substantial Historical Introduction That Highlights Several Of The Specific Areas That Contributors Debates Over Realism, The Relationship Between Filmmaker And Subject, Historical Thinking About Documentary And Thinking About The Historical Documentary, Biography And Autobiography, And The Use Of Psychoanalysis. Other Essays, Most Of Which Appear Here For The First Time, Range From Broad Overviews To Close Analyses Of Particular Films And Videos And From Discussions Of Wellknown Works Such As Roger And Me And Don'T Look Back To Lesser Known Texts That Might Revise The Canon. The Collection Includes An Extensive Filmography And Videography With Useful Distribution Information And A Bibliography Of Work In This Neglected Area Of Scholarship. Lucid, Sophisticated, And Eyeopening, This Book Will Galvanize Documentary Studies And Demonstrate The Need For Women'S And Cultural Studies To Grapple With Visual Media.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages does the book have? A: This book has three hundred seventy-six pages. It provides an in-depth exploration of feminism and documentary studies.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it flexible and easier to handle compared to hardcover options.
- Q: What are the book's dimensions? A: The book measures seven point zero one inches in length, one inch in width, and ten inches in height. These dimensions make it suitable for easy reading.
- Q: Who is the author of this book? A: The author is Diane Waldman. She contributes significant insight into the intersection of feminism and documentary filmmaking.
- Q: What is the main theme of the book? A: The main theme explores the relationship between feminism and documentary film studies. It addresses how these fields can enrich each other.
- Q: Is this book suitable for academic research? A: Yes, this book is suitable for academic research. It includes contributions from prominent scholars and a comprehensive bibliography.
- Q: What topics does the book cover? A: The book covers topics such as realism, filmmaker-subject relationships, and psychoanalysis in documentary film. These aspects are essential for understanding feminist perspectives.
- Q: Is there a filmography included in the book? A: Yes, the book includes an extensive filmography. It provides useful distribution information for various films discussed within.
- Q: What is the target audience for this book? A: The target audience includes scholars, students, and anyone interested in feminist studies and documentary filmmaking. It emphasizes the importance of these discussions.
- Q: Can this book be used for classroom discussions? A: Yes, this book can be used for classroom discussions. Its essays provoke thought on various aspects of gender and documentary.
- Q: What is the condition of the book? A: The book is described as a used book in good condition. It has been well-preserved for continued reading.
- Q: Are there any essays by well-known filmmakers? A: Yes, the book features essays by prominent filmmakers. Their insights add valuable perspectives to the discussions.
- Q: Does the book include any visual content? A: No, the book does not include visual content. It primarily consists of essays and analyses.
- Q: Is there a historical introduction in the book? A: Yes, there is a substantial historical introduction. It sets the context for the essays and highlights key areas of discussion.
- Q: What is the publisher of this book? A: The book is published by the University of Minnesota Press. This publisher is known for academic and educational works.
- Q: Does the book address multicultural perspectives? A: Yes, the book addresses multicultural perspectives. It explores the intersection of gender, race, and class within documentary studies.