Feminism And Documentary (Volume 5) (Visible Evidence)

Feminism And Documentary (Volume 5) (Visible Evidence)

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Documentary And Feminist Film Studies Have Long Been Separate Or Parallel Universes That Need To Converse Or Collide. The Essays In This Volume, Written By Prominent Scholars And Filmmakers, Demonstrate The Challenges That Feminist Perspectives Pose For Documentary Theory, History, And Practice. They Also Show How Fuller Attention To Documentary Enriches And Complicates Feminist Theory, Especially Regarding The Relationship Between Gender And Sexuality, Race And Ethnicity, Class And Nation. Feminism And Documentary Begins With A Substantial Historical Introduction That Highlights Several Of The Specific Areas That Contributors Debates Over Realism, The Relationship Between Filmmaker And Subject, Historical Thinking About Documentary And Thinking About The Historical Documentary, Biography And Autobiography, And The Use Of Psychoanalysis. Other Essays, Most Of Which Appear Here For The First Time, Range From Broad Overviews To Close Analyses Of Particular Films And Videos And From Discussions Of Wellknown Works Such As Roger And Me And Don'T Look Back To Lesser Known Texts That Might Revise The Canon. The Collection Includes An Extensive Filmography And Videography With Useful Distribution Information And A Bibliography Of Work In This Neglected Area Of Scholarship. Lucid, Sophisticated, And Eyeopening, This Book Will Galvanize Documentary Studies And Demonstrate The Need For Women'S And Cultural Studies To Grapple With Visual Media.

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Frequently Asked Questions

  • Q: What is the main focus of 'Feminism And Documentary'? A: 'Feminism And Documentary' explores the intersection of feminist theory and documentary film studies, highlighting how these two disciplines can inform and enrich each other.
  • Q: Who are the contributors to this book? A: The book includes contributions from prominent scholars and filmmakers, such as Michelle Citron, Gloria J. Gibson, Chris Holmlund, and Patricia R. Zimmermann, among others.
  • Q: What topics are covered in the essays? A: The essays cover a range of topics including realism, the relationship between filmmaker and subject, historical thinking about documentary, and the use of psychoanalysis in documentary studies.
  • Q: Is this book suitable for beginners in feminist documentary studies? A: Yes, the book includes both broad overviews and detailed analyses, making it suitable for both newcomers and those with more advanced knowledge in the field.
  • Q: How many pages does 'Feminism And Documentary' have? A: 'Feminism And Documentary' has a total of 376 pages.
  • Q: What edition of the book is available? A: This listing is for the First Edition of 'Feminism And Documentary', published on March 1, 1999.
  • Q: What is the condition of the book being offered? A: The book is listed as a 'Used Book in Good Condition', indicating that it may show some signs of wear but is still in acceptable shape for reading.
  • Q: Does the book include any additional resources? A: Yes, the book features an extensive filmography and videography, along with useful distribution information and a bibliography for further reading.
  • Q: What is the binding type of 'Feminism And Documentary'? A: The book is available in paperback binding.
  • Q: Where can I find more information about the essays included in this volume? A: The book contains a substantial historical introduction and detailed essays that discuss various aspects of documentary and feminist theory, providing comprehensive insights into the subject.