Feminist Film Theory: A Reader,New

Feminist Film Theory: A Reader,New

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Maps the major developments and debates in feminist film theoryFor the past twentyfive years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing fieldfrom structuralism and psychoanalysis in the 1970s, to postcolonial theory, queer theory, and postmodernism in the 1990s.Covering a wide range of topics, including oppressive images, 'woman' as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field.Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.

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Frequently Asked Questions

  • Q: What is the main focus of 'Feminist Film Theory: A Reader'? A: 'Feminist Film Theory: A Reader' focuses on the major developments and debates in feminist film theory over the past twenty-five years, highlighting key essays that explore culture, representation, and identity in cinema.
  • Q: Who are some of the contributors to this anthology? A: Contributors include prominent scholars such as Judith Butler, Carol J. Clover, Barbara Creed, and Laura Mulvey, among others, providing a diverse range of perspectives in feminist film theory.
  • Q: What topics are covered in this book? A: The book covers various topics including oppressive images, the fetishization of 'woman', female spectatorship, and the cinematic experiences of marginalized groups such as black women and lesbian women.
  • Q: Is this book suitable for beginners in feminist film theory? A: 'Feminist Film Theory: A Reader' is an excellent resource for both scholars and students, making it suitable for those new to the subject as well as those with more advanced knowledge.
  • Q: What is the condition of the book? A: This edition of 'Feminist Film Theory: A Reader' is listed as a new book, ensuring that it is in excellent condition for readers.
  • Q: What is the binding type of this book? A: The book is available in paperback binding, making it easy to handle and read.
  • Q: How many pages does the book contain? A: 'Feminist Film Theory: A Reader' contains 361 pages, providing an in-depth exploration of feminist film theories.
  • Q: When was this book published? A: 'Feminist Film Theory: A Reader' was published on April 1, 1999.
  • Q: What category does this book fall under? A: The book falls under the category of Performing Arts, specifically focusing on film theory and feminist studies.
  • Q: Who is the author of this anthology? A: The anthology is authored by Sue Thornham, who has compiled and edited the contributions from various scholars in the field.