Title
Fiction'S Inexhaustible Voice: Speech And Writing In Faulkner,New
Delivery time: 8-12 business days (International)
Product Description William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's 'puny inexhaustible voice, still talking.' As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as 'one of the props, the pillars to help him endure and prevail.'In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction.Ross departs from previous Faulkner criticism by proceeding not textbytext or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practiceSouthern oratoryrecognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage.In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, 'I listen to the voices, and when I put down what the voices say, it's right.' In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language. From the Back Cover The author explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. About the Author STEPHEN M. ROSS is Program Officer in the Division of Seminars at the National Endowment for the Humanities in Washington, D.C.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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