Fictions Of Feminist Ethnography,Used

Fictions Of Feminist Ethnography,Used

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Although Feminist Ethnography Is An Emerging Genre, The Question Of What The Term Means Remains Open. Recent Texts That Fall Under This Rubric Rely On Unexamined Notions Of 'Sisterhood' And The Recovery Of 'Lost' Voices. Writing About Her Work With Women In Southern India, Kamala Visweswaran Addresses Such Troubled Questions In The Essays That Make Up Fictions Of Feminist Ethnography. Blurring Distinctions Between Ethnographic And Literary Genres, The Author Employs The Narrative Strategies Of History, Fiction, Autobiography And Biography, Deconstruction, And Postcolonial Discourse To Reveal The Fictions Of Ethnography And The Ethnography In Fiction. In The Process Of Reflecting On The Nature Of Anthropology Itself Visweswaran Devises An Experimental Approach To Writing Feminist Ethnography.What Sets This Work Apart From Other Selfreflexive Feminist Ethnographies Is Its Rigorous Engagement With The Concrete Inequalities, Refusals, And Misunderstandings Between The Author And The Women She Worked With In India. In Each Essay, She Takes Up The Specific Ellipses Of Power Differentials In Her Field Research And Works Out Their Epistemological Consequences. The Result Is A Series Of Contextualizations Of The Politics Of Identity In The Field, At 'Home,' And Within The Lives Of Women Who Particpated In The Indian Nationalist Movement. We Learn In Lucid Detail About The Partiality Of Knowledge And The Inevitable Difficulties And Violations Involved In Representing The Lives Of Women, Both Inside And Outside The United States. Clearly And Forcefully Written, This Book Should Be Of Interest Not Only To Anthropologists But Also To Cultural Theorists And Critics, Feminist Scholars And Writers, And Other Social Scientists Who Grapple With Epistemological And Political Issues In Their Fields.

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Frequently Asked Questions

  • Q: What is the main theme of 'Fictions Of Feminist Ethnography'? A: 'Fictions Of Feminist Ethnography' explores the complexities of feminist ethnography, particularly focusing on the interplay between ethnographic and literary genres. The author, Kamala Visweswaran, examines the notions of sisterhood and the representation of women's voices, while addressing power dynamics in her field research.
  • Q: Who is the author of this book? A: The author of 'Fictions Of Feminist Ethnography' is Kamala Visweswaran, a scholar known for her work in feminist ethnography and cultural studies.
  • Q: What type of binding does this book have? A: 'Fictions Of Feminist Ethnography' is available in paperback binding, making it accessible and lightweight for easy handling.
  • Q: When was 'Fictions Of Feminist Ethnography' published? A: The book was published on May 10, 1994, and the release date for availability was June 2, 1994.
  • Q: How many pages does the book have? A: 'Fictions Of Feminist Ethnography' contains 224 pages, providing an in-depth exploration of its themes and arguments.
  • Q: What makes this book different from other feminist ethnographies? A: This book distinguishes itself through its rigorous engagement with the inequalities and miscommunications between the author and her subjects, focusing on the epistemological implications of these interactions.
  • Q: Is this book suitable for readers outside academia? A: Yes, while 'Fictions Of Feminist Ethnography' is targeted towards anthropologists and feminist scholars, it is also accessible to cultural theorists, critics, and general readers interested in social science themes.
  • Q: What condition is the book in? A: The book is listed as a used book in good condition, ensuring that it is clean and well-preserved for readers.
  • Q: What are some of the key features of this book? A: Key features of 'Fictions Of Feminist Ethnography' include its unique narrative strategies, critical examination of power dynamics, and the blending of various literary styles such as history, fiction, and autobiography.
  • Q: What kind of insights can I expect from this book? A: Readers can expect insights into the politics of identity, the challenges of representing women's lives, and the complexities of feminist ethnographic practices, particularly in the context of Indian nationalism.