Title
Film Sound: Theory And Practice
Delivery time: 8-12 business days (International)
This Classic Anthology Provides Essential Models For Analyzing Sound Stylistics Through The Detailed Study Of Critical Sound Films. Elisabeth Weis And John Belton Carefully Curate Major Essays From The World'S Most Respected Film Historians, Aestheticians, And Theorists, Including Douglas Gomery, Barry Salt, Rick Altman, Mary Ann Doane, S. M. Eisenstein, V. I. Pudovkin, Ren Clair, Bla Belzs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin Thompson, Nol Burch, And Arthur Knight. Their Selections Recount The Innovations And Triumphs Of Ernst Lubitsch, Fritz Lang, Orson Welles, Alfred Hitchcock, Rouben Mamoulian, Dziga Vertov, Robert Bresson, Jeanluc Godard, Robert Altman, And Francis Ford Coppola, Among Many Others, And Explicate The Techniques And Practices Of Sound Filmmaking From Initial Recordings To Final Theater Playback. Film Sound Is The Ideal Companion For Anyone Seeking Both A Comprehensive Introduction To The Form And A Rich Survey Of Its Historical And Global Evolution.
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Shipping & Returns
Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Film Sound: Theory and Practice'? A: 'Film Sound: Theory and Practice' focuses on the analysis of sound stylistics in critically acclaimed films. It compiles essential essays from respected historians and theorists to explore the techniques of sound filmmaking.
- Q: Who are the authors of this anthology? A: The anthology is curated by Elisabeth Weis and John Belton, who selected major essays from prominent film historians and theorists.
- Q: Is this book suitable for beginners in film studies? A: Yes, 'Film Sound' serves as a comprehensive introduction to sound filmmaking, making it suitable for beginners as well as those looking for a deeper understanding of the subject.
- Q: What type of content can I expect in this book? A: The book includes critical essays that discuss sound innovations in cinema, featuring analyses of various filmmakers and their techniques throughout film history.
- Q: How many pages does 'Film Sound: Theory and Practice' have? A: 'Film Sound: Theory and Practice' contains 462 pages, providing an extensive exploration of film sound theory and practice.
- Q: When was this book published? A: 'Film Sound: Theory and Practice' was published on April 15, 1985.
- Q: What format is the book available in? A: The book is available in paperback format.
- Q: What condition is the book in? A: 'Film Sound: Theory and Practice' is in new condition.
- Q: Can this book benefit filmmakers and sound designers? A: Yes, this anthology is valuable for filmmakers and sound designers as it provides insights into sound techniques and practices used by renowned filmmakers.
- Q: Does the book cover international film sound practices? A: Yes, 'Film Sound' includes a rich survey of the historical and global evolution of sound in filmmaking, covering various international practices.