Title
Film Theory And Criticism: Introductory Readings, 5Th Edition,Used
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Since Publication Of The First Edition In 1974, Film Theory And Criticism, Previously Edited By Gerald Mast, Marshall Cohen, And Leo Braudy, Has Been The Most Widely Used And Cited Anthology Of Critical Writings About Film. Extensively Revised And Updated, This Fifth Edition Is Ideal For Undergraduate And Graduate Courses In Film Theory And Criticism. Featuring Both Classic Texts And Cuttingedge Essays From Almost A Century Of Thought And Writing About The Movies, It Includes 19 Articles New To This Edition And New Introductions For The Individual Sections. The Sections Themselves Have Been Reformulated To Help Lead Readers Into A Richer Understanding Of What The Movies Have And Can Accomplish Both As Individual Works And As Contributions To What Has Been Called 'The Art Form Of The Twentieth Century.' Building Upon The Wide Range Of Selections And The Extensive Historical Coverage That Marked Previous Editions, This Collection Stretches From The Earliest Attempts To Define The Cinema To The Most Recent Efforts To Place Film In The Context Of Psychology, Sociology, And Philosophy And To Explore Issues Of Gender And Race. A Newly Conceived Section On Film Narrative And The Other Arts Has Been Added, The Section On Film Genre Has Been Reorganized To Include A Special Focus On The Horror Film, And A New Subsection Of Essays Addresses The Issue Of Film Spectatorship. This Volume Also Features New And More Accurate Translations Of The Important Essays Of Sergei Eisenstein And Gives More Space To Such Important Theorists As Andr Bazin And Christian Metz.
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- Q: How many pages are in 'Film Theory and Criticism: Introductory Readings, 5th Edition'? A: This book contains eight hundred sixty-one pages. It provides a comprehensive anthology of critical writings about film.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and portable for easy reading.
- Q: What are the dimensions of this book? A: The dimensions are nine point twenty-one inches in length, one point five inches in width, and six point one inches in height. These measurements make it a manageable size for both reading and storage.
- Q: How do I use this book for my film studies? A: You can use this book as a primary text for undergraduate and graduate courses in film theory and criticism. It includes both classic and contemporary essays, making it a valuable resource.
- Q: Is this edition suitable for beginners in film studies? A: Yes, this edition is suitable for beginners. Its extensive introductions and reformulated sections guide readers through complex concepts in film theory.
- Q: What age group is this book appropriate for? A: This book is suitable for older teens and adults. It is designed for undergraduate and graduate students, making it more appropriate for mature readers.
- Q: How do I keep this book in good condition? A: To keep this book in good condition, store it in a cool, dry place and avoid exposing it to direct sunlight. Handle it carefully to prevent spine and page damage.
- Q: Are there any specific care instructions for the paperback binding? A: Yes, avoid bending the cover or pages excessively. Additionally, keep it away from moisture to prevent warping.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or exchange. Most sellers will have policies in place for damaged items.
- Q: What is the return policy for this book? A: Return policies can vary by seller, but generally, you can return the book within a specified period if it is in unused condition. Check the seller's specific return guidelines.
- Q: How does this edition compare to earlier editions? A: This edition features nineteen new articles and updated introductions, making it more current than earlier editions. It also reorganizes sections for better comprehension.
- Q: Is this book suitable for advanced film theory studies? A: Yes, it is suitable for advanced studies. It includes cutting-edge essays and historical perspectives that cater to more experienced readers.
- Q: What themes are addressed in this book? A: The book addresses themes like film narrative, genre, spectatorship, and the impact of film on psychology, sociology, and philosophy.
- Q: Does this book cover gender and race issues in film? A: Yes, it explores issues of gender and race in the context of film criticism and theory. It provides a comprehensive look at these important subjects.
- Q: Who are the main authors of this book? A: The book is edited by Leo Braudy and includes contributions from various influential theorists. This diverse authorship enriches the content.
- Q: What is the target audience for this anthology? A: The target audience includes students, educators, and film enthusiasts interested in critical writings about film. It serves both academic and casual readers.