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Since Publication Of The First Edition In 1974, Leo Braudy And Marshall Cohen'S Film Theory And Criticism Has Been The Most Widely Used And Cited Anthology Of Critical Writings About Film. Now In Its Eighth Edition, This Landmark Text Continues To Offer Outstanding Coverage Of More Than A Century Of Thought And Writing About The Movies. Incorporating Classic Texts By Pioneers In Film Theory And Cuttingedge Essays By Contemporary Scholars, The Text Examines Both Historical And Theoretical Viewpoints On The Subject.Building Upon The Wide Range Of Selections And The Extensive Historical Coverage That Marked Previous Editions, This New Compilation Stretches From The Earliest Attempts To Define The Cinema To The Most Recent Efforts To Place Film In The Contexts Of Psychology, Sociology, And Philosophy, And To Explore Issues Of Gender And Race. Reorganized Into Ten Sectionseach Comprising The Major Fields Of Critical Controversy And Analysisthis New Edition Features Reformulated Introductions And Biographical Headnotes That Contextualize The Readings, Making The Text More Accessible Than Ever To Students, Film Enthusiasts, And General Readers Alike.A Wideranging Critical And Historical Survey, Film Theory And Criticism Remains The Leading Text For Undergraduate Courses In Film Theory. It Is Also Ideal For Graduate Courses In Film Theory And Criticism.
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