Title
Final Bow for Yellowface: Dancing between Intention and Impact,Used
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Who would have guessed that one short conversation with New York City Ballet Artistic Director Peter Martins would change the course of how we approach Americas favorite holiday ballet, and serve as a catalyst for changing how we talk about race in America? Phil Chan, arts advocate and cofounder of Final Bow for Yellowface, chronicles his journey navigating conversations around race, representation, and inclusion arising from issues in presenting one short dancethe Chinese variation from The Nutcracker. Armed with new vocabulary, he recounts his process and pitfalls in advising Salt Lake Citys Ballet West on the presentation of a lost Balanchine work from 1925, Le Chant du Rossignol.Chan encounters orientalism, cultural appropriation, and yellowface, and witnesses firsthand the continuing evolution of an Old World aristocratic dance form in a New World democratic environment. As a storyteller, Chan presents a mix of dance and Chinese American history, personal anecdotes, and best practices for any professional arts organization to use for navigating issues around race, while outlining an essential path American ballet must take in order for our beloved art form to stay alive for a growingly diverse 21st century audience.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the page count of this book? A: This book has two hundred thirty-six pages. It provides ample material for readers interested in the intersection of dance and race.
- Q: What are the dimensions of 'Final Bow for Yellowface'? A: The book measures six inches in length, zero point five nine inches in width, and nine point zero two inches in height. It is a standard paperback size.
- Q: What type of binding does this book have? A: This book features paperback binding. This makes it lightweight and easy to handle for readers.
- Q: Who is the author of this book? A: The author is Phil Chan. He is known for his advocacy in the arts and discussions on race and representation.
- Q: What genre does this book belong to? A: This book falls under the Performing Arts genre. It specifically addresses themes of race and representation in ballet.
- Q: How should I approach reading this book? A: Readers can engage with this book at any pace, reflecting on the discussions of race in the arts. It is suitable for anyone interested in cultural discussions.
- Q: Is this book suitable for younger audiences? A: Yes, this book is appropriate for older teens and adults. It discusses complex themes around race and cultural representation.
- Q: What themes are explored in 'Final Bow for Yellowface'? A: The book explores themes of race, representation, and inclusion within the context of ballet. It also addresses cultural appropriation.
- Q: How can this book be beneficial for arts organizations? A: This book outlines best practices for navigating race-related issues. It provides insights for arts organizations striving for inclusivity.
- Q: What are the key issues discussed in the book? A: The book discusses orientalism, cultural appropriation, and yellowface in ballet. It highlights historical and contemporary challenges.
- Q: How should I care for this paperback book? A: To keep this book in good condition, store it in a dry place and avoid exposure to moisture. Handle it gently to avoid creasing.
- Q: Can I return this book if I change my mind? A: Yes, you can return this book if it is in new condition. Always check the specific return policy of the retailer.
- Q: What if my book arrives damaged? A: If the book arrives damaged, contact the seller immediately. Most retailers will assist with returns or exchanges.
- Q: Is there a warranty on this book? A: No, books typically do not come with a warranty. However, most retailers provide a satisfaction guarantee.
- Q: How does this book compare to other arts-related literature? A: This book uniquely addresses race in ballet, making it distinct from other arts literature that may not focus on these issues.
- Q: What audience is this book primarily intended for? A: The primary audience includes arts advocates, educators, and anyone interested in race and representation in the arts.