Finishing the Hat: Collected Lyrics (19541981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes,New

Finishing the Hat: Collected Lyrics (19541981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes,New

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ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR Titled after perhaps Stephen Sondheim's most autobiographical song, from Sunday in the Park with GeorgeFinishing the Hat not only collects his lyrics for the first time, it offers readers a rare personal look into his life as well as his remarkable productions.Stephen Sondheims career spanned more than half a century; his lyrics are synonymous with musical theater and popular culture. Sondheimthe winner of seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize and moretreats us to neverbeforepublished songs from each show, songs that were cut or discarded before seeing the light of day, along with the lyrics for all of his musicals from 1954 to 1981, including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd.He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotesfilled with history, pointed observations and intimate detailstransport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come.Accompanying Sondheims sparkling writing are behindthescenes photographs from each production, along with handwritten music and lyrics from the songwriters personal collection.Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Harts Act One and Arthur Millers Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

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Frequently Asked Questions

  • Q: What is the main focus of 'Finishing the Hat'? A: The book primarily focuses on the collected lyrics of Stephen Sondheim from 1954 to 1981, along with personal anecdotes, insights into his creative process, and reflections on his collaborations in musical theater.
  • Q: Who is the author of 'Finishing the Hat'? A: The author is Stephen Sondheim, a renowned composer and lyricist known for his significant contributions to musical theater.
  • Q: What type of binding does this book have? A: The book is available in hardcover binding, which provides durability and a premium feel.
  • Q: How many pages does 'Finishing the Hat' contain? A: This book contains a total of 480 pages, offering an extensive look at Sondheim's lyrics and reflections.
  • Q: Is 'Finishing the Hat' suitable for aspiring songwriters? A: Yes, the book offers valuable insights into songwriting that can benefit aspiring songwriters and fans of musical theater.
  • Q: What is included in the book besides lyrics? A: In addition to lyrics, the book includes behind-the-scenes photographs, handwritten music, and personal comments from Sondheim.
  • Q: What are some of the musicals covered in this book? A: The book covers lyrics from iconic musicals such as West Side Story, Company, Follies, A Little Night Music, and Sweeney Todd.
  • Q: When was 'Finishing the Hat' published? A: The book was published on October 26, 2010.
  • Q: Is 'Finishing the Hat' a new or used item? A: The item condition is listed as new, ensuring that the book is in pristine condition.
  • Q: What makes 'Finishing the Hat' a significant literary work? A: The book is considered significant for its in-depth exploration of the art of lyric writing and its historical context within American theater.