Title
Forms of Representation in Alois Riegl's Theory of Art,Used
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Alois Riegl (18581905) made pioneering contributions to the history of late Roman, seventeenthcentury Dutch, and Baroque art. His impact on scholars, however, extended beyond arthistorical circles into the fields of art theory, psychology, sociology, literary criticism, and philosophy. Margaret Olin utilizes extensive archival material and the entire range of Riegls published writings to locate his theory of representation in the Viennese and wider European intellectual context of the late nineteenth century.Riegl is usually viewed as a precursor of midtwentiethcentury formal criticism. Yet his formal theory had a representational edge. He shared with many positivists the sanguine expectation that the emulation of scientific methodology could provide solutions to humanistic and social concerns. Accordingly, he modeled his view both of his own field, art history, and of artistic practice on the observational sciences. In representational art, he adhered to naturalism. With his studies of the lotus ornament in Stilfragen, however, he broached the issues of formal theory that gave his work lasting significance. Olin interprets these studies in the light of a theory of "structural symbolism" associated with the Arts and Crafts Movement, showing how they articulate in great detail a theory of the capacity for representation in ostensibly nonrepresentational ornament. Riegl envisioned the designer as an ornamental scientist, who studies the structure of surfaces in almost scientific detail to develop increasingly complex means of symbolizing its solidity and unity, just as the fine artist studies nature to depict it ever more accurately.Olin's account of Riegl illuminates the hidden representational agenda of early formal theory crucial to the dramatic call for nonobjective art, which Riegl's theories helped inspire. In so doing, it also reveals Riegl's significance for the present, postformalist phase of arthistory writing.
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- Q: What is the page count of this book? A: The book contains two hundred sixty-two pages. This comprehensive length allows for an in-depth exploration of Alois Riegl's theories.
- Q: What are the dimensions of this book? A: The book measures seven point zero one inches in length, zero point six three inches in width, and ten inches in height. These dimensions make it suitable for easy handling.
- Q: What type of binding does this book have? A: This book is bound in hardcover. Hardcover bindings are known for their durability and longevity.
- Q: Who is the author of the book? A: The author is Margaret Olin. Olin's work offers a detailed examination of Riegl's contributions to art theory.
- Q: What is the genre of this book? A: The book falls under the category of Criticism. It delves into art theory and its historical context.
- Q: How do I read this book? A: You can read this book by starting from the first page and following its structured chapters. It is suitable for those interested in art history and theory.
- Q: Is this book suitable for beginners in art theory? A: Yes, this book is suitable for beginners. It provides foundational insights into Riegl's theories while being accessible.
- Q: What themes are explored in this book? A: The book explores themes of representation, art history, and the intersection of art and science. It critically examines Riegl's influence.
- Q: Can this book be used for academic purposes? A: Yes, this book is suitable for academic purposes. It includes extensive archival material and scholarly analysis.
- Q: How should I store this book? A: Store this book upright on a shelf in a cool, dry place. Keeping it away from direct sunlight will help preserve its condition.
- Q: Is this book safe for children? A: No, this book is not specifically designed for children. Its content is more suitable for adult readers and scholars.
- Q: How do I care for this hardcover book? A: To care for the book, avoid exposing it to moisture and handle it with clean hands. Dust it occasionally to maintain its appearance.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller for return instructions. Most sellers offer a return or exchange policy.
- Q: Can I find similar books to this one? A: Yes, you can find similar books in the Criticism genre that explore art theory and history. Check recommendations based on Riegl's work.
- Q: Does this book contain illustrations? A: No, the book does not specifically mention illustrations. It primarily focuses on text and analysis of art theory.
- Q: Is there a warranty for this book? A: Books typically do not come with a warranty. However, check with the seller for their return policy regarding damaged or defective items.