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Essays by prominent scholars and organists examine the music of Franck and other nineteenthcentury French organistcomposers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performancepractice traditions developed and became codified.Nineteenthcentury French organ music attracts an everincreasing number of performers and devotees. The music of Cesar Franck and other distinguished composersBoly, Guilmant, Widorand the impact upon this repertoire of the organbuilding achievements of Aristide CavaillColl, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organistcomposers worked.Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen HastingsDeans, MarieLouise JaquetLanglasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
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