French Theory and American Art (Sternberg Press),Used

French Theory and American Art (Sternberg Press),Used

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Many postwar American artists were influenced by French philosophy, literary studies, and social sciences. Accordingly, a number of French authors gathered under the label 'French Theory'a name referring roughly to structuralism and post structuralismhas received sustained attention in the United States. As early as the early 1960s, this reception helped to shape both American artistic practice and the fate of French thought in a crucial way. At the turn of the twentyfirst century, the wealth of works from the human sciences and philosophy in American culture became the subject of numerous studies.French Theory and American Art examines some of the main historical conditions of this reception. It considers significant texts, artists, authors, and events that were instrumental in the introduction of French thought into the artistic field of the United States. The relation between artistic creation and theoretical thought, between singular, inventive uses and creative misunderstandings of theory, constitutes the other major question of the present volume.Copublished with (SIC)ContributorsPhilip Armstrong, Victor Burgin, Franois Cusset, Larisa Dryansky, Benjamin Greenman, Rachel Haidu, Sylvre Lotringer, Stephen Melville, Laura Mulvey, Kassandra Nakas, Peter Osborne, JeanMichel Rabat, John Rajchman, Katia Schneller, Alexander Streitberger, Hilde Van Gelder, Erik Verhagen

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Frequently Asked Questions

  • Q: What is the main focus of 'French Theory and American Art'? A: The book examines the influence of French philosophy, literary studies, and social sciences on postwar American art, specifically the reception of French Theory in the United States.
  • Q: Who is the author of 'French Theory and American Art'? A: The author of the book is Anael Lejeune.
  • Q: What topics are covered in this book? A: The book covers significant texts, artists, authors, and events that shaped the introduction of French thought into American art, as well as the relationship between artistic creation and theoretical thought.
  • Q: What is the binding type of this book? A: The book is available in paperback binding.
  • Q: How many pages does 'French Theory and American Art' have? A: The book has a total of 384 pages.
  • Q: When was 'French Theory and American Art' published? A: The book was published on September 6, 2013.
  • Q: Can you tell me about the contributors to this book? A: The book features contributions from various scholars and artists, including Philip Armstrong, Victor Burgin, François Cusset, and Laura Mulvey, among others.
  • Q: What condition is the book in? A: The book is in mint condition.
  • Q: Is there any additional information about the book's themes? A: Yes, the book discusses the creative misunderstandings of theory and its inventive uses within the context of American art.
  • Q: In which category is 'French Theory and American Art' classified? A: The book is classified under the category of Criticism.