Gary Hill,Used

Gary Hill,Used

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SKU: SONG0935558322
Brand: Brand: Henry Art Gallery
Condition: Used
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"Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback." Gary Hill (From "Interview")For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mideighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Award (1998). Hill's work focuses on the poetic and philosophical implications of temporal perception. Tall Ships, for example, is a largescale video installation that presents haunting images of isolated human figures in a darkened corridor, seen from a distance, then close up. Hill's representation of time in videos is partly informed by his adolescent experiences as a surfer in Southern California: his Learning Curve series invites the viewer to sit at the end of a long table and watch a blackandwhite projection of a wave folding and unfolding upon itself. Other themes in Hill's work include meditations on the selfreferentiality of the medium and explorations of the connections and conflicts between language and image.This new volume in PAJ's Art + Performance series is the first critical edition devoted to Hill's work. Edited by Robert C. Morgan, it anthologizes a number of critical essays tracing Hill's reception from the midseventies to today, a series ofinformative interviews, as well as a selection of Hill's writings revealing him as an original and articulate thinker. The book also offers a detailed chronology of Hill's career, a bibliography and videography, and twentyfive photos from his installations. Morgan's introduction traces Hill's emergence as an artist out of the sixties' counterculture and explores how his work creates dialogues with philosophers as diverse as Heidegger, Blanchot, Derrida, and Marshall McLuhan.

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