Gaston Bachelard musicien une philosophie des silences et des timbres: UNE PHILOSOPHIE DES SILENCES ET DES TIMBRES,Used

Gaston Bachelard musicien une philosophie des silences et des timbres: UNE PHILOSOPHIE DES SILENCES ET DES TIMBRES,Used

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Si comme le pensait Nietzsche, 'les hommes suprieurs se distinguent par le fait qu'ils entendent infiniment plus', Bachelard figure parmi ces esprits pour qui penser et sentir est une seule et mme chose. L'objectif de ce livre n'est pas tant de dcouvrir en ce philosophe un musicien que d'tudier les enjeux d'une phnomnologie de l'coute dans l'exprience musicale qui permet de faire l'preuve de soi, de 'voir et entendre, ultravoir et ultraentendre, s'entendre voir et s'entendre couter' (Bachelard). Cette conception est le fruit d'une activit cratrice intense, qui se dploie dans la musique de manire privilgie et rpond une autre logique, fonde sur des critres thiques et non forcment artistiques. Porteuse d'intersubjectivit, cette 'esthtique concrte' n'a qu'une seule exigence: le degr de vie de l'oeuvre qu'il s'agit de transmettre. C'est dire la relation qu'a tout art avec la musique quand celleci est conue comme un 'jeu avec les forces', anim par un orchestre invisible, sis en chacun de nous. Cela renvoie au concept de 'sant', apprhend ici comme la capacit ' nourrir sa vie' et l'entretenir grce l'exercice quotidien de la lecture active et de la pratique artistique. Il appartient au musicien qui 'entend par l'imagination plus que par la perception' (Bachelard), de nous apprendre sentir et penser le monde, soumis aujourd'hui une dperception au profit de la sensation qui conduit une crise des modalits du lien.

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Frequently Asked Questions

  • Q: What is the main focus of Gaston Bachelard's philosophy in this book? A: The book explores the relationship between philosophy and music, emphasizing the significance of listening and the phenomenology of sound in personal experience.
  • Q: Who is the author of this book and what is their background? A: The author, Marie-Pierre Lassus, is known for her work in the field of philosophy, particularly in relation to aesthetics and the experience of art.
  • Q: What is the publication date of this book? A: This book was published on June 24, 2010.
  • Q: What is the binding type of this book? A: This book is available in paperback binding.
  • Q: What are the key themes discussed in the book? A: Key themes include the intersubjectivity of art, the concept of health in relation to creativity, and the transformative power of music in understanding oneself and the world.
  • Q: Does this book include any illustrations or images? A: The product details do not specify any illustrations or images included in the book.
  • Q: How many pages does this book contain? A: The book has not specified the number of pages.
  • Q: Is this book suitable for beginners in philosophy? A: While the book delves into philosophical concepts, it is likely to be more suitable for readers with some prior knowledge of philosophy and aesthetics.
  • Q: What edition of the book is available? A: The book is published in the edition by P U DU SEPTENTRION.
  • Q: Can this book be useful for musicians and artists? A: Yes, the book discusses the philosophical implications of music, making it relevant for musicians and artists interested in the deeper connections between their craft and philosophical thought.