Title
Gay Voices of the Harlem Renaissance (Blacks in the Diaspora),Used
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Heretofore scholars have not been willingperhaps, even been unable for many reasons both academic and personalto identify much of the Harlem Renaissance work as samesex oriented. . . . An important book.' Jim ElledgeThis groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by samesexinterested men. Christa Schwarz focuses on Counte Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of menloving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugentthe only 'out' gay Harlem Renaissance artistportrayed menloving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
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