Gaylen Gerber,Used

Gaylen Gerber,Used

SKU: SONG0941548317 In Stock
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The exhibition of Gerber's work at The Renaissance Society in 1992 marked the culmination of a tenyear period in which Gerber persistently painted the same opaque, monochromatic stilllife over and over, in a bold artistic assertion that seeing is not believing but simply perceiving. This catalog is the first monograph publication of Gerber's work, and documents the artist's installations of these paintings at various international exhibitions, including Documenta 9 in 1992, and Robbin Lockett Gallery in Chicago in 1988. At the Society's exhibition, Gerber hung a single row of his paintings abutted end to end on a wall crossing the entire gallery space. Jan Avgiko's catalog essay, written in close tandem with Gerber, is a brilliant investigation of the role perceptual aesthetic theories play in the modernist and postmodernist monochrome.

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Shipping & Returns

Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.

Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

Warranty

We provide a 2-year limited warranty, from the date of purchase for all our products.

If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.

This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the significance of Gaylen Gerber's exhibition at The Renaissance Society? A: The exhibition marked a critical point in Gerber's career, showcasing his exploration of perception through repeated monochromatic still-life paintings, emphasizing that seeing is not the same as believing.
  • Q: Who is the author of the catalog essay in this monograph? A: The catalog essay is authored by Jan Avgikos, who collaborated closely with Gerber to explore the perceptual aesthetic theories in relation to modernist and postmodernist art.
  • Q: What type of binding does this product have? A: This product features a paperback binding, making it lightweight and flexible for easy handling.
  • Q: How many pages does the catalog contain? A: The catalog contains 32 pages, providing a focused exploration of Gerber's work and exhibitions.
  • Q: What year was this monograph published? A: This monograph was published on January 1, 1995.
  • Q: What themes are explored in Gerber's artwork? A: Gerber's artwork explores themes of perception, challenging viewers to reconsider the relationship between sight and belief through his monochromatic still-life compositions.
  • Q: Where did Gerber's paintings get displayed internationally? A: Gerber's installations were displayed at several international exhibitions, including Documenta 9 in 1992 and Robbin Lockett Gallery in Chicago in 1988.
  • Q: Is this product suitable for art students or professionals? A: Yes, this catalog is suitable for both art students and professionals interested in modern and postmodern art, as it offers insights into Gerber's artistic process and theoretical underpinnings.
  • Q: What condition is the product in? A: The product is in new condition, ensuring that it is free from wear and tear.
  • Q: Does this catalog include visual documentation of Gerber's installations? A: Yes, the catalog documents various installations of Gerber's paintings, providing visual context to his artistic exhibitions.