Title
Get The Picture: A Personal History Of Photojournalism
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In His Long And Distinguished Career As A Journalist And Picture Editor, John G. Morris Had One Simpleand Stunningly Complexassignment: Get The Picture. Picture Editors, Morris Writes, Are The Unwitting (Or Witting, As The Case May Be) Tastemakers, The Unappointed Guardians Of Morality, The Talent Brokers, The Accomplices To Celebrity. Most Importantor Disturbingthey Are The Fixers Of 'Reality' And Of 'History.' Indeed, Morris Commissioned, Edited, And Published The Photos That Have Helped Define Our Sense Of Recent History, And He Worked Closely With Some Of The Century'S Great Photographers, Including Robert Capa, Henri Cartierbresson, And W. Eugene Smith. Get The Picture Is Morris'S Fascinating Account Of A Half Century Of Photojournalism, From Capa'S Heroism On Dday To The Special Ethical Problems That Arose For Photographers And Their Editors On The Night Princess Diana Died In A Paris Tunnel While Trying To Avoid The Paparazzi.Beginning With The Ascendancy Of Life Magazine During World War Ii, Morris Offers The Inside Stories Behind Dozens Of Famous Pictures, And Intimate Portraits Of The Men And Women Who Took Them, Along With Colorful Anecdotes About His Encounters With Alfred Hitchcock, General George S. Patton, Marlene Dietrich, Ernest Hemingway, Lee Miller, Andrei Sakharov, And Many Others. Morris Has A Few Opinions As Well About His Powerful Bosseshenry Luce Of Time Inc., Katharine Graham Of The Washington Post, And A. M. Rosenthal Of The New York Timesand He Reflects, Often Humorously, On His Triumphs And Losses Inside Various Media Empires. He Observes How The Press Failed To Tell The Story Of The Holocaust, And How It Turned Away In Revulsion From Images Of What The Atomic Bombings Of Hiroshima And Nagasaki Did To The Human Body. In Addition, Morris Details How The Washington Post Fell For The Johnson Administration'S Lies About The Tonkin Gulf Incident, And He Notes How The New York Times Initially Missed Its Significance.Get The Picture Is Also A Book About Lasting Friendships And The Importance Of Professional And Personal Commitment Under Impossible Circumstances. Morris Writes Movingly About The Tragic Deaths Of His Colleagues Robert Capa, Werner Bischof, David Chim Seymour, And W. Eugene Smith, And About What Was Required To Carry On Without Them. Above All, Get The Picture Is About A Life Vigorously Lived, And Morris Is Still Going Strong As One Of The Leading Proponents Of A Journalism Committed To The Unflinching, Unblinking Truth.115 Blackandwhite Photographs
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- Q: What is the main theme of 'Get the Picture'? A: The main theme of 'Get the Picture' is the evolution and impact of photojournalism, as narrated through the experiences of John G. Morris, who worked closely with renowned photographers and covered significant historical events.
- Q: Who is the author of 'Get the Picture'? A: The author of 'Get the Picture: A Personal History of Photojournalism' is John G. Morris, a distinguished journalist and picture editor.
- Q: How many pages does the book have? A: 'Get the Picture' contains 326 pages.
- Q: What type of binding does this book have? A: This book is available in hardcover binding.
- Q: When was 'Get the Picture' published? A: 'Get the Picture' was published on May 5, 1998.
- Q: What kind of photographs are included in the book? A: The book includes 115 black-and-white photographs that are significant to the stories and events discussed.
- Q: Is 'Get the Picture' suitable for those interested in history? A: Yes, 'Get the Picture' is suitable for readers interested in history, especially in the context of photojournalism and its role in documenting critical events.
- Q: What experiences does John G. Morris share in the book? A: John G. Morris shares his experiences working with famous photographers, covering major historical events, and his reflections on ethical dilemmas faced in journalism.
- Q: Does the book discuss any specific historical events? A: Yes, the book discusses several historical events, including D-Day and the death of Princess Diana, highlighting the role of photojournalism in these moments.
- Q: What is the edition of 'Get the Picture'? A: 'Get the Picture' is published as a First Edition.