Title
Get The Picture: A Personal History Of Photojournalism
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In His Long And Distinguished Career As A Journalist And Picture Editor, John G. Morris Had One Simpleand Stunningly Complexassignment: Get The Picture. Picture Editors, Morris Writes, Are The Unwitting (Or Witting, As The Case May Be) Tastemakers, The Unappointed Guardians Of Morality, The Talent Brokers, The Accomplices To Celebrity. Most Importantor Disturbingthey Are The Fixers Of 'Reality' And Of 'History.' Indeed, Morris Commissioned, Edited, And Published The Photos That Have Helped Define Our Sense Of Recent History, And He Worked Closely With Some Of The Century'S Great Photographers, Including Robert Capa, Henri Cartierbresson, And W. Eugene Smith. Get The Picture Is Morris'S Fascinating Account Of A Half Century Of Photojournalism, From Capa'S Heroism On Dday To The Special Ethical Problems That Arose For Photographers And Their Editors On The Night Princess Diana Died In A Paris Tunnel While Trying To Avoid The Paparazzi.Beginning With The Ascendancy Of Life Magazine During World War Ii, Morris Offers The Inside Stories Behind Dozens Of Famous Pictures, And Intimate Portraits Of The Men And Women Who Took Them, Along With Colorful Anecdotes About His Encounters With Alfred Hitchcock, General George S. Patton, Marlene Dietrich, Ernest Hemingway, Lee Miller, Andrei Sakharov, And Many Others. Morris Has A Few Opinions As Well About His Powerful Bosseshenry Luce Of Time Inc., Katharine Graham Of The Washington Post, And A. M. Rosenthal Of The New York Timesand He Reflects, Often Humorously, On His Triumphs And Losses Inside Various Media Empires. He Observes How The Press Failed To Tell The Story Of The Holocaust, And How It Turned Away In Revulsion From Images Of What The Atomic Bombings Of Hiroshima And Nagasaki Did To The Human Body. In Addition, Morris Details How The Washington Post Fell For The Johnson Administration'S Lies About The Tonkin Gulf Incident, And He Notes How The New York Times Initially Missed Its Significance.Get The Picture Is Also A Book About Lasting Friendships And The Importance Of Professional And Personal Commitment Under Impossible Circumstances. Morris Writes Movingly About The Tragic Deaths Of His Colleagues Robert Capa, Werner Bischof, David Chim Seymour, And W. Eugene Smith, And About What Was Required To Carry On Without Them. Above All, Get The Picture Is About A Life Vigorously Lived, And Morris Is Still Going Strong As One Of The Leading Proponents Of A Journalism Committed To The Unflinching, Unblinking Truth.115 Blackandwhite Photographs
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- Q: How many pages does the book have? A: The book has three hundred twenty-six pages. This provides an in-depth exploration of photojournalism over several decades.
- Q: What are the dimensions of the book? A: The book measures six point twenty-six inches in length, one inch in width, and nine point seventy-six inches in height. This size makes it easy to handle and read.
- Q: What type of binding does the book have? A: The book is bound in hardcover. This ensures durability and a premium feel for readers.
- Q: Who is the author of this book? A: The author is John G. Morris. He is a renowned figure in photojournalism with a rich history in the field.
- Q: What genre does this book belong to? A: The book belongs to the photojournalism genre. It chronicles significant moments captured through photography.
- Q: Is this book suitable for young readers? A: Yes, the book is published by Random House Books for Young Readers. However, parental guidance is advised due to some mature themes.
- Q: How can I best appreciate the photographs in the book? A: To appreciate the photographs, take your time to read the accompanying stories. Context enhances the visual experience significantly.
- Q: Is there a specific audience that would enjoy this book? A: The book is ideal for photography enthusiasts, journalism students, and history buffs. It provides insights into both art and ethics in photojournalism.
- Q: Are there any notable photographers featured in the book? A: Yes, notable photographers like Robert Capa and Henri Cartier-Bresson are featured. Their contributions significantly shaped the field of photojournalism.
- Q: How do I keep this book in good condition? A: To keep the book in good condition, store it upright in a cool, dry place. Avoid direct sunlight to prevent fading.
- Q: Can I clean the book if it gets dirty? A: Yes, you can clean the book by gently wiping the cover with a soft, dry cloth. Avoid using water or cleaning solutions.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or exchange. Most sellers have policies in place for such issues.
- Q: Is this book available in digital format? A: Yes, the book is often available in digital formats. Check your preferred e-book platform for availability.
- Q: Does this book include any illustrations? A: Yes, the book includes one hundred fifteen black-and-white photographs. These illustrations complement the text effectively.
- Q: Is there a recommended reading age for this book? A: While there is no strict age recommendation, it is generally suitable for readers aged twelve and up. Parental discretion is advised.