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Global Soundtracks: Worlds of Film Music (Music / Culture),New
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The first volume focusing on film music as a worldwide phenomenonThis stimulating collection of essays analyzes the music of films ranging from mainstream and subcultural American films through case studies of those from China, India, Indonesia, Egypt, Nigeria, Latin American, and the Caribbean, and includes a variety of key films, periods, and studio practices. The focus of the essays is the social and cultural meanings of film music, not just composers' careers and the musical support of storyline and psychology that are the center of most film music studies. Global Soundtracks is the first anthology to suggest methods for understanding how the conventions of standard film music became localized and expanded around the world in many different periods and cinema systems, and to suggest comparative approaches of analysis.Contributors include: ABDALLA UBA ADAMU, B. BALASUBRAHMANIYAN, BRENDA BERRIAN, GREG BOOTH, ERIC A. GALM, JOSEPH GETTER, MARILYN MILLER, MARTIN STOKES, SUMARSAM, and SUE M.C. TUOHY.Hardcover is unjacketed.
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- Q: How many pages does the book have? A: This book contains four hundred sixteen pages. It provides a comprehensive collection of essays on film music.
- Q: What are the dimensions of the book? A: The book measures five point ninety-eight inches in length, one point three inches in width, and eight point eighty-two inches in height.
- Q: What binding does this book have? A: This book features a paperback binding. It is designed for durability and ease of use.
- Q: Who is the author of this book? A: The author of this book is Mark Slobin. He is known for his work in music and cultural studies.
- Q: What is the main focus of the essays in this book? A: The essays analyze the social and cultural meanings of film music. They explore various global contexts and cinema systems.
- Q: Is this book suitable for someone new to film music studies? A: Yes, this book is suitable for beginners. It offers insightful essays that provide a foundational understanding of film music across cultures.
- Q: How can I apply the insights from this book? A: You can apply the insights by exploring film music in various cultural contexts. The essays encourage comparative analysis of different cinema systems.
- Q: Is there a specific age group this book is intended for? A: This book is intended for adults and students of higher education. It contains complex themes suitable for mature readers.
- Q: How should I care for this book to keep it in good condition? A: To keep this book in good condition, store it in a cool, dry place. Avoid exposure to direct sunlight and moisture.
- Q: Is this book safe to read for younger audiences? A: No, this book is geared towards adults and may not be suitable for younger readers. It contains advanced concepts in film music.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for return or exchange options. Ensure you keep the packaging for reference.
- Q: What topics are covered in the essays? A: The essays cover a range of topics including mainstream and subcultural American films, and case studies from various countries.
- Q: Can I find specific case studies in this book? A: Yes, the book includes case studies from countries like China, India, Egypt, and Nigeria. These provide diverse perspectives on film music.
- Q: How can this book enhance my understanding of global film music? A: This book enhances understanding by presenting methods for analyzing how standard film music conventions are localized globally.
- Q: Is this book part of a series or a standalone publication? A: This book is the first volume in its series. It lays the groundwork for further exploration of film music as a global phenomenon.
- Q: What type of illustrations does this book include? A: The book includes twenty black and white illustrations. These visuals complement the essays and enhance the reader's understanding.