Title
God Pictures In Korean Contexts: The Ownership And Meaning Of Shaman Paintings
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Shamans Walking On Knives, Fairies Riding On Clouds, Kings With Dragon Mounts: They Are Gods And They Are Paper Images. Some Are Repulsed And Unsettled By Shaman Paintings, Some Cannot Stop Collecting Them, And Some Use Them As Sites Of Veneration. Laurel Kendall, Jongsung Yang, And Yul Soo Yoon Explore What It Is That Makes A Korean Shaman Painting Magical Or Sacred. How Does A Picture Carry The Trace Of A God And Can It Ever Be Just A Painting Again? How Have Shaman Paintings Been Revalued As Art? Do Artfulness And Magic Ever Intersect? Does It Matter, As A Matter Of Market Value, That The Painting Was Once A Sacred Thing? Navigating The Journey Shaman Paintings Make From Painters Studios To Shaman Shrines To Private Collections And Museums, The Three Authors Deftly Traverse The Borderland Between Scholarly Interests In The Material Dimension Of Religious Practice And The Circulation Of Art.Illustrated With Sixty Images In Color And Black And White, The Book Offers A New Vantage Point On The Social Life Of Things. This Is Not A Story Of A Collecting West And A Disposing Rest; The Primary Collectors And Commentators On Korean Shaman Paintings Are South Koreans Reimagining Their Own Past In Light Of Their Own Modernist Sensibility. It Is A Tale Told With An Awareness Of Both Recent South Korean History And The Problematic Question Of How The Paintings Are Understood By Different South Korean Actors, Most Particularly The Shamans And Collectors Who Share A Common Language And Sometimes Meet Facetoface.
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This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the main focus of 'God Pictures in Korean Contexts'? A: The book explores the significance and value of Korean shaman paintings, examining their role as both magical and sacred images within cultural contexts.
- Q: Who are the authors of this book? A: The authors are Laurel Kendall, Jongsung Yang, and Yul Soo Yoon, who provide insights into the intersection of art and religious practice in Korea.
- Q: How many pages does the book have? A: The book consists of 176 pages, offering a comprehensive exploration of its subject matter.
- Q: What is the publication date of 'God Pictures in Korean Contexts'? A: The book was published on September 30, 2015.
- Q: Is this book illustrated? A: Yes, the book is illustrated with sixty images in both color and black and white, enhancing the reader's understanding of Korean shaman paintings.
- Q: What type of binding does the book have? A: The book is available in paperback binding, making it accessible for readers.
- Q: What themes are explored in the book regarding shaman paintings? A: The book discusses themes of ownership, meaning, and how shaman paintings transition from sacred objects to art, and their market value.
- Q: Who is the intended audience for this book? A: The book is intended for scholars, students, and anyone interested in Korean art, religion, and cultural studies.
- Q: Does the book address the relationship between art and magic? A: Yes, it examines whether artfulness and magic intersect in the context of Korean shaman paintings.
- Q: Can this book be used for academic research? A: Yes, the book provides scholarly insights and analysis that can be valuable for academic research in fields related to art and religion.