Guide

Amazon.com ReviewOver the past 15 years Dennis Cooper has established himself as the preeminent spokesperson and chronicler for angst ridden teens in Los Angeles. In Closer, Frisk, and Try, Cooper delineated the existential crisis of gay teen boys with no place to go but down, nothing to look forward to but death. Coopers plots usually revolve around the idea that there are peopleusually older menwho are willing to help them with this last desire. Cooper tells a similar tale in Guide, but has placed himself in the middle of the action as a participant. Beautifully and chillingly written, Guide is Coopers most disturbing, transgressive tale yet. A visionary masterpiece as sublime as it is frightening.Product DescriptionPresents a disturbing and provocative exploration of four young men who want more than anything to be altered by drugs, the power of love, or the violently erotic experiences they share with each other.From Library JournalThose familiar with Coopers work (Wrong, LJ 5/15/92) know that his fiction makes use of some unsavory, at times shocking, subject matter. Necrophilia and child pornography may be taboo in Coopers world, but they are practiced nonetheless. Against a backdrop of pop culture, this firstperson narrative chronicles the exploits of a halfdozen teens viewing life through the heavy veil of drugs and apathy. Though the story is as compelling as it is perverse, Cooper purposefully overrides it with an innovative style and raw, truthful character studies. Deeply lonely, the characters dont trust their own feelings and experience life in spurts. Interaction with anything outside themselves is a contest without a prize. There is a real elegance to the choppy waves of prose, which allow this work to transcend the form of the novel while working within it. With Guide, Cooper claims his place, alongside Genet and Burroughs, as a master of his own disenfranchised generation. For all literary fiction collections.?Douglas McClemont, New YorkCopyright 1997 Reed Business Information, Inc.From Kirkus ReviewsMore transgressive meanderings from shock jock Cooper (Try, 1994, etc.), who seemsas far as the dance of death is concerned to have all the steps down pat without the first clue of where he wants to go with them. Luke at Scotts. Masons home jerking off to a picture of Smears bassist, Alex. . . Robert, Tracy, and Chris are several miles across town shooting dope. . . Pams directing a porn film. Goof is the star. Hes twelve and a half. Im home playing records and writing a novel about the aforementioned people, especially Luke. This is it. In its very first lines, the story is laid out pretty clearly. Like most of Coopers previous works, this is an account of life among the addicts and prostitutes of the gay urban demimonde, this time in Los Angeles. The narrator is a novelist and magazine reporter who comes into contact with a clique of teenaged hustlers while working on an article about AIDS among the runaways and drifters of West Hollywood, but from his descriptions of his daily routines one could suppose that he had grown up in Covenant House himself: All the beauty in my life is either sleeping, unconscious, or dead. And how: When he and his friends arent shooting up or having sex on camera, they are usually fantasizing about killing or being killed. Goof, for example, ODs during a porn shoot. Then Drew gets knocked out cold when someone whacks him with a skateboard during a bit of rough sex. The narrator dreams of eviscerating people from time to time and seems to be obsessed with a very young streetwalker named Sniffles, who likes to be beaten up in bed. After a while he tracks Sniffles down to the AIDS hospice where hes dying. When he gets home, he finds that Drew may in fact be dead. He sits down to finish his novel. As offensive in its aimlessness as it is in its perversity. Cooper should be ashamed of himself. Copyright 1997, Kirkus Associates, LP. All ri