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This edition of Aperture relaunches the magazine under the title Hello, Photography, a playful nod to Daido Moriyamas seminal project Bye, Bye Photography. Now divided into two distinct sections, Words and Pictures, the issue offers a broad sweep of key issues for photography today.The new Words section brings readers the sharpest ideas on photography: Charlotte Cotton asks if institutions are stifling innovation; Geoffrey Batchen teases out what social media means for photography; Arthur Ou confronts the challenges of photographic education; and Robin Kesley investigates the key questions driving new scholarship today. Conversations round out this issues Words with Jeff Wall and Lucas Blalock, Mark Westmoreland and Akram Zaatari, and Virginia Rutledge and Penelope Umbrico.Pictures is the magazines superbly printed new visual showcase. Featured for Spring are portfolios from the Gary Winogrand Archive, with curator Leo Rubinfien explaining his new edit to photographer PhilipLorca diCorcia; Jason Evans' street photography; Eva Respini introducing Michele Abeles; new work by Adam Broomberg and Oliver Chanarin; a dispatch from Magnums latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky; an introduction to Christopher Williams by Matthew Witkovsky; Andrew Norman Wilsons project on Google Books; James Welling speaks with Phil Chang; and more. Accessible new columns include The Collectors (with writing by novelists Sam Lipsyte, Teju Cole, Sheila Heti and Heidi Julavtis); Dispatches (Jason Fulford walks readers through San Franciscos photo scene); and Redux (David Campany on a lost book by Victor Burgin).
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