Title
Henry Moore Plasters,Used
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This is the first book on Moores works in plaster, which until recently have been regarded as preparatory works rather than finished sculptures. But in fact the scarred surfaces of the plasters convey a sense of immediacy and a complexity of texture that is largely absent from highly finished works in bronze and marble. Acutely aware of the aesthetic changes that occurred in his sculptures once he cast them, Moore made a number in plaster only. This reappraisal of the significance of these beguiling creationsillustrated with plasters of all sizes from three decades of workuncovers a littleknown aspect of Moores incomparable oeuvre.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the main focus of the book 'Henry Moore Plasters'? A: The book focuses on Henry Moore's works in plaster, highlighting their significance as finished sculptures rather than just preparatory works.
- Q: Who is the author of 'Henry Moore Plasters'? A: The author of 'Henry Moore Plasters' is Anita Feldman.
- Q: How many pages are in the book? A: The book contains 160 pages.
- Q: What type of binding does 'Henry Moore Plasters' have? A: The book is available in hardcover binding.
- Q: What is the condition of the book? A: The book is listed as 'Used Book in Good Condition'.
- Q: When was 'Henry Moore Plasters' published? A: The book was published on September 1, 2011.
- Q: What is the edition of 'Henry Moore Plasters'? A: This is the First Edition of 'Henry Moore Plasters'.
- Q: Are there any illustrations in the book? A: Yes, the book contains illustrations of Moore's plaster works from three decades of his career.
- Q: What category does 'Henry Moore Plasters' belong to? A: The book falls under the category of Individual Artists.
- Q: What unique aspects of Moore's plaster works are discussed in the book? A: The book discusses the complexity of texture and immediacy conveyed by the plasters, which are often absent in highly finished bronze and marble sculptures.