Hilma Af Klint: Late Watercolours 19221941: Catalogue Raisonn Volume Vi

Hilma Af Klint: Late Watercolours 19221941: Catalogue Raisonn Volume Vi

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Gathering Af Klints 1920S Works Made After Her Mothers Death And Her Abandonment Of Geometric Abstractionin The 1920S, Hilma Af Klint (18621944) Spent Extended Periods In Dornach, Switzerland, Where Rudolf Steiner Had Established An International Center For The Anthroposophical Movement, The Goetheanum. At The Goetheanum, Af Klint Took Part In The Centers Rich Cultural Life. Among Other Things, She Studied Johann Wolfgang Von Goethes Theory Of Color. In 1922, At The Age Of 60, She Completely Abandoned Her Geometrical Way Of Working For The Wetonwet Watercolor Method Inspired By Anthroposophy, And Developed By Steiner And His Circle. An Example Of This Is Her Series On The Viewing Of Flowers And Trees From 1922. Most Of The Series Presented In This, The Sixth Volume Of Hilma Af Klints Catalogue Raisonn, Have No Titles.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

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Frequently Asked Questions

  • Q: What is the main focus of 'Hilma af Klint: Late Watercolours 1922–1941'? A: The book focuses on Hilma af Klint's works from the 1920s, particularly those created after her mother's death, highlighting her shift from geometric abstraction to the 'wet-on-wet' watercolor method.
  • Q: How many pages does this catalogue raisonné volume contain? A: This volume contains a total of 376 pages.
  • Q: What type of binding does this book have? A: The book is bound in hardcover, providing durability and a quality feel.
  • Q: Who is the author of this catalogue raisonné? A: The author of the book is Hilma af Klint, who is renowned for her pioneering contributions to abstract art.
  • Q: When was this book published? A: The publication date of this book is September 28, 2021.
  • Q: What artistic method did Hilma af Klint adopt in her later works? A: In her later works, af Klint adopted the 'wet-on-wet' watercolor method, inspired by anthroposophy, which allowed for a more fluid expression in her paintings.
  • Q: Does this book include titles for the works presented? A: Most of the series included in this volume do not have titles, reflecting af Klint's approach during this period.
  • Q: Is this book suitable for art historians or general readers? A: Yes, the book is suitable for both art historians and general readers interested in Hilma af Klint's life and work.
  • Q: What is the significance of the Goetheanum in relation to af Klint's work? A: The Goetheanum is significant as it was where af Klint engaged in a rich cultural life and studied color theory, which influenced her artistic direction.
  • Q: Can this book be a valuable resource for studying abstract art? A: Yes, this book serves as a valuable resource for studying abstract art, particularly the evolution of Hilma af Klint's techniques and philosophies.