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Hollywood Fantasies Of Miscegenation: Spectacular Narratives Of Gender And Race
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Hollywood Fantasies Of Miscegenation Analyzes White Fantasies Of Interracial Desire In The History Of Popular American Film. From The First Interracial Screen Kiss Of 1903, Through The Production Code'S Nearly Thirtyyear Ban On Depictions Of Miscegenation, To The Contemplation Of Mixed Marriage In Guess Who'S Coming To Dinner (1967), This Book Demonstrates A Long, Popular, Yet Underexamined Record Of Cultural Fantasy At The Movies.With Ambitious New Readings Of Wellknown Films Like D.W. Griffith'S 1915 Epic The Birth Of A Nation And Of Key Forgotten Films And Censorship Documents, Susan Courtney Argues That Dominant Fantasies Of Miscegenation Have Had A Profound Impact On The Form And Content Of American Cinema.What Does It Mean, Courtney Asks, That The Image Of The Black Rapist Became A Virtual Clich, While The Sexual Exploitation Of Black Women By White Men Under Slavery Was Perpetually Repressed? What Has This Popular Film Legacy Invited Spectators To Remember And Forget? How Has It Shaped Our Conceptions Of, And Relationships To, Race And Gender?Richly Illustrated With More Than 140 Images, Hollywood Fantasies Of Miscegenation Carefully Attends To Cinematic Detail, Revising Theories Of Identity And Spectatorship As It Expands Critical Histories Of Race, Sex, And Film. Courtney'S New Research On The Production Code'S Miscegenation Clause Also Makes An Important Contribution, Inviting Us To Consider How That Clause Was Routinely Interpreted And Applied, And With What Effects.
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- Q: How many pages does the book have? A: The book has three hundred seventy-six pages. This length allows for an in-depth analysis of race and gender in American cinema.
- Q: What is the binding type of this book? A: The book is paperback. This binding type is lightweight and flexible, making it easy to handle and read.
- Q: What are the book's dimensions? A: The book measures six inches in length, one inch in width, and nine point zero two inches in height. These dimensions make it portable for reading.
- Q: What is the main theme of the book? A: The main theme is the exploration of interracial desire in American film. It examines cultural fantasies and their implications on race and gender.
- Q: Who is the author of the book? A: The author is Susan Courtney. She provides critical insights into the portrayal of race in popular cinema.
- Q: Is this book suitable for academic study? A: Yes, this book is suitable for academic study. It offers critical analysis and research valuable for students and scholars of film studies.
- Q: What kind of illustrations does the book contain? A: The book contains over one hundred forty illustrations. These images enrich the text and provide visual context to the discussions.
- Q: Can I read this book if I am new to film studies? A: Yes, beginners in film studies can read this book. It provides accessible analysis while addressing complex themes related to race and gender.
- Q: Is the book appropriate for younger audiences? A: No, the book is not appropriate for younger audiences. It discusses adult themes and sensitive topics related to race and sexuality.
- Q: How should I store this book to keep it in good condition? A: Store the book upright on a shelf. Avoid exposing it to direct sunlight or moisture to preserve its condition.
- Q: What is the recommended way to clean the book? A: To clean the book, gently wipe the cover with a dry cloth. Avoid using liquids, as they can damage the pages and binding.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller for a return or exchange. Most retailers have policies in place for damaged items.
- Q: Can I return the book if I don't like it? A: Yes, you can typically return the book if it is in good condition. Check the seller's return policy for specific details.
- Q: How does this book compare to others in its genre? A: This book offers a unique perspective on race and gender in film compared to other works in the genre. It combines historical analysis with critical theory.
- Q: Is this book recommended for film enthusiasts? A: Yes, this book is highly recommended for film enthusiasts. It delves into significant themes that shape the understanding of American cinema.