If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.
Customer service
All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com
Sale & Press
If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com
Help
If you have any questions, you are always welcome to contact us. We'll get back to you as soon as possible, withing 24 hours on weekdays.
Customer service
All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com
Sale & Press
If you are interested in selling our products, need more information about our brand or wish to make a collaboration, please contact us at press@yourdomain.com
With ruminations on drawing, color and caricature, on the political meaning of fairytales, talking animals and human beings as machines, Hollywood Flatlands brings to light the links between animation, avantgarde art and modernist criticism. Focusing on the work of aesthetic and political revolutionaries of the interwar period, Esther Leslie reveals how the animation of commodities can be studied as a journey into modernity in cinema. She looks afresh at the links between the Soviet Constructivists and the Bauhaus, for instance, and those between Walter Benjamin and cinematic abstraction. She also provides new interpretations of the writings of Siegfried Kracauer on animation, shows how Theodor Adornos and Max Horkheimers film viewing affected their intellectual development, and reconsiders Sergei Eisensteins famous handshake with Mickey Mouse at Disneys Hyperion Studios in 1930. 10 color and 30 b/w photographs.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer,
birth defects, or other reproductive harm.
As a graduate student in animation studies, I found this book incredibly insightful. The integration of critical theory with practical examples makes it a valuable resource for anyone serious about the field.
O
Olivia Chen
A Must for Animation Scholars
As a graduate student in animation studies, I found this book incredibly insightful. The integration of critical theory with practical examples makes it a valuable resource for anyone serious about the field.
O
Olivia Chen
A Must for Animation Scholars
As a graduate student in animation studies, I found this book incredibly insightful. The integration of critical theory with practical examples makes it a valuable resource for anyone serious about the field.
S
Samuel Kim
Interesting but Heavy to Digest
Critical theory can be tough, and this book is no exception. Some chapters felt like a slog, but it definitely opened my eyes to new ways of thinking about animation. Just be ready to take breaks!
S
Samuel Kim
Interesting but Heavy to Digest
Critical theory can be tough, and this book is no exception. Some chapters felt like a slog, but it definitely opened my eyes to new ways of thinking about animation. Just be ready to take breaks!
For MAP (Minimum Advertised Price) violations and Intellectual Property (IP) or Trademark concerns, please contact:
support@ergodebooks.com
⚠️ California Proposition 65 Warning: Some products sold on this website may expose you to chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm. For more information, visit www.P65Warnings.ca.gov.