How To See A Work Of Art In Total Darkness,New

Going Beyond The 'Blackness' Of Black Art To Examine The Integrative And Interdisciplinary Practices Of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, And William Pope.Lfive Contemporary Black Artists In Whose Work Race Plays Anything But A Defining Role.Work By Black Artists Today Is Almost Uniformly Understood In Terms Of Its 'Blackness,' With Audiences Often Expecting Or Requiring It To 'Represent' The Race. In How To See A Work Of Art In Total Darkness, Darby English Shows How Severely Such Expectations Limit The Scope Of Our Knowledge About This Work And How Different It Looks When Approached On Its Own Terms. Refusing To Grant Racial Blacknesshis Metaphorical 'Total Darkness'Primacy Over His Subjects' Other Concerns And Contexts, He Brings To Light Problems And Possibilities That Arise When Questions Of Artistic Priority And Freedom Come Into Contact, Or Even Conflict, With Those Of Cultural Obligation. English Examines The Integrative And Interdisciplinary Strategies Of Five Contemporary Artistskara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, And William Pope.Lstressing The Ways In Which This Work At Once Reflects And Alters Our View Of Its Informing Context: The Advent Of Postmodernity In Late Twentiethcentury American Art And Culture.The Necessity For 'Black Art' Comes Both From Antiblack Racism And Resistances To It, From Both Segregation And Efforts To Imagine An Autonomous Domain Of Black Culture. Yet To Judge By The Work Of Many Contemporary Practitioners, English Writes, Black Art Is Increasingly Less Ableand Black Artists Less Willingto Maintain Its Standing As A Realm Apart. Through Close Examinations Of Walker'S Controversial Silhouettes' Insubordinate Reply To Pictorial Tradition, Wilson'S And Julien'S Distinct Approaches To Institutional Critique, Ligon'S Text Paintings' Struggle With Modernisms, And Pope.L'S Vexing Performance Interventions, English Grounds His Contention That To Understand This Work Is To Displace Race From Its Central Location In Our Interpretation And To Grant Right Of Way To The Work'S Historical, Cultural, And Aesthetic Specificity.