Iconoclash: Beyond The Image Wars In Science, Religion And Art,Used

Iconoclash: Beyond The Image Wars In Science, Religion And Art,Used

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SKU: SONG026262172X
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Condition: Used
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This Book, Which Accompanies A Major Exhibition At The Center For New Art And Media (Zkm) In Karlsruhe, Germany, Invokes Three Disparate Realms In Which Images Have Assumed The Role Of Cultural Weapons. Monotheistic Religions, Scientific Theories, And Contemporary Arts Have Struggled With The Contradictory Urge To Produce And Also Destroy Images And Emblems. Moving Beyond The Image Wars, Iconoclash Shows That Image Destruction Has Always Coexisted With A Cascade Of Image Production, Visible In Traditional Christian Images As Well As In Scientific Laboratories And The Various Experiments Of Contemporary Art, Music, Cinema, And Architecture.While Iconoclasts Have Struggled Against Icon Worshippers, Another History Of Iconophily Has Always Been At Work. Investigating This Alternative To The Western Obsession With Image Worship And Destruction Allows Useful Comparisons With Other Cultures, In Which Images Play A Very Different Role. Iconoclash Offers A Variety Of Experiments On How To Suspend The Iconoclastic Gesture And To Renew The Movement Of Images Against Any Freezeframing.The Book Includes Major Works By Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Durer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Mattaclark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, And Many Others.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book ICONOCLASH have? A: This book has seven hundred pages. It provides a comprehensive exploration of the themes surrounding images in culture.
  • Q: What is the binding type of ICONOCLASH? A: The book is available in paperback binding. This makes it more flexible and easier to handle compared to hardcover editions.
  • Q: What are the dimensions of ICONOCLASH? A: The dimensions of the book are eight point two seven inches in length, two point zero one inches in width, and ten point seven five inches in height. These dimensions make it a standard-sized paperback.
  • Q: Who is the author of ICONOCLASH? A: The author of the book is Bruno Latour. He is known for his significant contributions to the fields of science and technology studies.
  • Q: What topics does ICONOCLASH cover? A: The book explores the role of images in science, religion, and contemporary art. It discusses how these realms have used images as cultural weapons.
  • Q: Is ICONOCLASH suitable for academic study? A: Yes, this book is suitable for academic study. It provides critical insights into the relationship between images and cultural practices.
  • Q: How should I care for my copy of ICONOCLASH? A: To keep your book in good condition, store it in a cool, dry place and avoid exposure to direct sunlight. Handling it with clean hands can also prevent dirt accumulation.
  • Q: Is ICONOCLASH appropriate for younger readers? A: This book is not specifically targeted at younger readers. Its themes are complex and may be more suitable for adults or advanced students.
  • Q: Can I return ICONOCLASH if I don't like it? A: Yes, you can return the book if it does not meet your expectations. Be sure to check the seller's return policy for specific details.
  • Q: What makes ICONOCLASH different from other art books? A: ICONOCLASH uniquely addresses the tension between image production and destruction, offering a diverse perspective on cultural icons. This focus sets it apart from traditional art books.
  • Q: Are there any notable artists featured in ICONOCLASH? A: Yes, the book features works from renowned artists like Marcel Duchamp, Francisco Goya, and Daniel Buren. These contributions enrich the discussion of imagery in various cultures.
  • Q: What is the main argument of ICONOCLASH? A: The main argument is that image destruction and production coexist in cultural narratives. The book invites readers to reconsider the dichotomy of iconoclasm and iconophily.
  • Q: Does ICONOCLASH include illustrations? A: Yes, the book includes numerous illustrations of artworks discussed in the text. These visuals enhance the reader's understanding of the themes.
  • Q: What type of reader would enjoy ICONOCLASH? A: This book would appeal to readers interested in art history, cultural studies, and philosophy. It is particularly relevant for those studying the impact of imagery on society.
  • Q: Is there an ebook version of ICONOCLASH available? A: Yes, an ebook version of ICONOCLASH is typically available. Check online retailers for formats that suit your reading preferences.

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