Title
Imposing Harmony: Music and Society in Colonial Cuzco,Used
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Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicologys cathedralcentered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzcos musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged.Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
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- Q: How many pages does this book have? A: This book contains three hundred twenty pages. It provides a detailed analysis of music and society in colonial Cuzco.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and suitable for easy handling.
- Q: What are the dimensions of the book? A: The book measures six inches in length, zero point eight inches in width, and nine point twenty-five inches in height.
- Q: Who is the author of this book? A: The author is Geoffrey Baker. He is known for his expertise in musicology and history.
- Q: What category does this book belong to? A: This book falls under the History & Criticism category. It explores the intersection of music and colonial society.
- Q: What is the primary theme of the book? A: The primary theme is the role of music in colonial Cuzco. It examines how music was used in social and political contexts.
- Q: Is this book suitable for academic purposes? A: Yes, this book is suitable for academic purposes. It includes extensive archival research and scholarly insights.
- Q: What is the target audience for this book? A: The target audience includes students, scholars, and anyone interested in colonial Latin American history and musicology.
- Q: How should I store this book? A: Store this book in a cool, dry place to maintain its condition. Avoid exposure to direct sunlight to prevent fading.
- Q: Is there any specific care required for this book? A: No specific care is required beyond basic handling. Ensure to keep it away from moisture and extreme temperatures.
- Q: What if I receive a damaged copy? A: If you receive a damaged copy, you can return it for a replacement. Check the return policy for detailed instructions.
- Q: Can I find this book in libraries? A: Yes, this book may be available in libraries. Check your local library catalog for availability.
- Q: Is this book a good choice for beginners in music history? A: Yes, it is a good choice for beginners. The writing is accessible while providing depth on complex topics.
- Q: Does the book reference any specific musical pieces? A: Yes, the book includes references to various musical pieces significant to the Cuzco region during colonial times.
- Q: How does this book compare to other works in musicology? A: This book offers a unique perspective by focusing on decentralized musical culture, contrasting with cathedral-centered approaches prevalent in other works.
- Q: What is the condition of the used book? A: The book is listed as used but in good condition. It should be free of significant markings or damage.