Title
Impro: Improvisation and the Theatre,Used
Delivery time: 8-12 business days (International)
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a playreader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
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⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
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Shipping & Returns
Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main focus of 'Impro: Improvisation and the Theatre'? A: The book focuses on improvisational techniques and exercises that enhance spontaneity and narrative skills for actors, developed by Keith Johnstone during his time at the Royal Court Theatre.
- Q: Who is the author of this book? A: The author is Keith Johnstone, a prominent figure in the field of theatre and improvisation.
- Q: How many pages does the book have? A: The book contains 208 pages.
- Q: What is the condition of the book? A: The book is listed as 'New', ensuring it is in excellent condition for readers.
- Q: What are the main sections covered in the book? A: The book is divided into four main sections: 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', each focusing on different aspects of improvisation.
- Q: Is this book suitable for beginners in acting? A: Yes, the book is suitable for beginners as it outlines specific techniques and exercises that can help develop improvisational skills.
- Q: When was 'Impro: Improvisation and the Theatre' published? A: The book was published on January 7, 1987.
- Q: What type of binding does the book have? A: The book is available in paperback binding.
- Q: Can this book be used in educational settings? A: Yes, the techniques and exercises outlined in the book can be beneficial for educational settings, particularly in drama classes and workshops.
- Q: What makes this book a valuable resource for actors? A: Its practical exercises and insights into spontaneous creativity provide actors with valuable tools to enhance their performance and improvisational skills.