International Architecture In Interwar Japan: Constructing Kokusai Kenchiku,New

International Architecture In Interwar Japan: Constructing Kokusai Kenchiku,New

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After World War I, Architects Around The World Aspired To Transcend National Boundaries That Had Been Devastated By Conflicts. The Result Was A Flurry Of Artistic Creativity. In Japan, Young Architects Strove To Create An 'International Architecture,' Or Kokusai Kenchiku, An Expression Of Increasing International Travel And Communication, Growth Of The Mass Media, And Technological Innovation.Ken Tadashi Oshima Traces The Many Interconnections Among Japanese, European, And American Architects And Their Work During The Interwar Years By Examining The Careers And Designs Of Three Leading Modernists In Japan: Yamada Mamoru (18941966), Horiguchi Sutemi (18951984), And Antonin Raymond (18881976). Each Espoused A New Architecture That Encompassed Modern Forms And New Materials, And All Attempted To Synthesize The Novel With The Old In Distinctive Ways. Combining Wood And Concrete, Paper Screens And Sliding/Swinging Glass Doors, Tatami Rooms And Westernstyle Chairs, They Achieved An Innovative Merging Of International Modernism And Traditional Japanese Practices. Their Buildings Accommodated The Demands Of Modern Living While Remaining Appropriate To Japan'S Climate, Culture, And Economy.Until Now, Scholars Have Tended To Isolate The Work Of Japanese Architects From The Europeanamerican Sphere Of Influence. Oshima Reverses This Trend, Exploring The Influences That Flowed In Multiple Directions Among Architects In Japan And Their Counterparts In Germany, Austria, The Netherlands, And Elsewhere.Sadly, Few Of The Buildings Of Japan'S Interwar Period Withstood The Destruction Of World War Ii And The Wrecking Balls Of Subsequent Decades Of Development. Oshima Uses A Wealth Of Photographs To Vividly Capture The Character Of The Burgeoning Architectural Media Of Those Years And To Generously Illustrate The Works And Visions Of These Pioneering Modernists.

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Frequently Asked Questions

  • Q: What is the primary focus of 'International Architecture in Interwar Japan'? A: The book focuses on the development of 'international architecture,' or kokusai kenchiku, in Japan during the interwar years, exploring the influences between Japanese, European, and American architects.
  • Q: Who is the author of this book? A: The author is Ken Tadashi Oshima, a scholar who examines the interconnections among architects in Japan and their counterparts abroad.
  • Q: What are the key themes discussed in the book? A: Key themes include the synthesis of modern and traditional architectural practices, the impact of technology on design, and the influence of international travel and communication on Japanese architecture.
  • Q: How many pages does the book have? A: The book contains 320 pages.
  • Q: What type of binding does this book have? A: The book is bound in hardcover.
  • Q: When was 'International Architecture in Interwar Japan' published? A: The book was published on January 15, 2010.
  • Q: What can readers expect in terms of illustrations? A: Readers can expect a wealth of photographs that illustrate the works and visions of pioneering modernists in interwar Japan.
  • Q: Is the book suitable for scholars or general readers? A: The book is suitable for both scholars interested in architectural history and general readers who appreciate modern architecture.
  • Q: What architectural styles are explored in the book? A: The book explores various architectural styles that merge modern forms with traditional Japanese elements.
  • Q: Are there any specific architects highlighted in the book? A: Yes, the book examines the careers and designs of three leading modernists: Yamada Mamoru, Horiguchi Sutemi, and Antonin Raymond.