Interrupted Aria (Tito Amato Series)

Product Description The dazzling city on the lagoon is sailing toward the ruin of her maritime empire, determined to go down in a maelstrom of pleasure, music, and masquerade....Venice, 1731. Opera is the popular entertainment of the day and the castrati are its reigning divas. Tito Amato, mutilated as a boy to preserve his enchanting soprano voice, returns to the city of his birth with his friend Felice, a castrato whose voice has failed. Disaster strikes Titos opera premier when the singer loses one beloved friend to poison and another to unjust accusation and arrest. Alarmed that the merchantaristocrat who owns the theater is pressing the authorities to close the case, Tito races the executioner to find the real killer. The possible suspects could people the cast of one of his operas: a libertine nobleman and his spurned wife, a jealous soprano, an ambitious composer, and a patrician family bent on the theaters ruin.With carnival gaiety swirling around him and rousing Venetian passions to an ominous crescendo, Tito finds that the most astonishing secrets lurk behind the masks of his own family and friends. Review On a chilly day in 1731, two young men arrive in the Italian city of Veniceas besieged then by nature and human frailties as the presentday version so wellchronicled by such mystery writers as Edward Sklepowich and Donna Leon.Both of the men are castratisingers who paid the terrible price of sexual mutilation in order to maintain their perfect child soprano voices. One ofthem, Tito Amato, returning to his native city after many years in Naples at the famed Conservatorio San Remo, where he perfected his art, is about to become a star. The other, his best friend, Felice Ravello, is a sadder figure: Despite the operation, his voice has cracked and thickened, and he must develop other musical skills to survive.Castrati are famous for having the small, delicately formed larynx of a woman and the prodigious lung capacity of a man, says Tito, who is proud of his art but resentful at the price he has paid for it. I had once witnessed a virtuoso performance by the great Farnelli in Naples. During his arias, all eyes were glued to his face and gestures...Some of the women, and even a few of the men, seemed transported by sensation...They appeared nothing short of enraptured.The best thing about Beverle Graves Myers riveting first mystery, which involves the poisoning of a beautiful, aging opera star and the charging of Ravello with the crime, is how quickly we slip into the world she has so expertly recreated, despite its distance and initial oddness. Its a world where castratibashing by gangs of louts on the street (and verbal insults by solid citizens behind closed doors) is a fact of life, where a government would rather have fast action than slow truth, where a powerful businessman buys and sells people along with his other trade goods. Sound like any place you know? Dick Adler, Chicago Tribune (3.21.04)Myerss absorbing first novel, a historical novel set in 18thcentury Italy, introduces a most unusual hero, Tito Amato, who was sold as a child to be castrated and taught to be an opera singer. In late 1731, Tito and a fellow castrato Felice Ravello leave Naples for Titos native Venice to sing with an opera company owned by a wealthy and powerful family. Myers recreates the opera seria of the time in fascinating detail, from the special stage effects to the vocal pyrotechnics. All Venetians attended the opera and sang the principal arias as popular songs; the narrative was less important and came primarily in spoken recitatifs. During one performance, the prima donna is poisoned, and Felice, whos been working as an instrumentalist since his voice became unstable, is jailed as the chief suspect. Tito is determined to clear his friend and scours the Republic of Venice for evidence of his innocence. Readers familiar with Venice will delight in following Tito through the calli and campi