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All questions about your order, return and delivery must be sent to our customer service team by e-mail at yourstore@yourdomain.com
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Product Description La liste est longue des peintres et des crivains par qui le scandale est arriv. Aux noms de Goya, Manet, Flaubert, Sade, Joyce...il nous faut aujourd'hui ajouter ceux de Scorsese et Rushdie. Un cinaste puis un romancier se sont nouveau rendus coupables du crime de lsesacr. Pourquoi images et crits ontils toujours ce pouvoir d'affoler les communauts humaines et de mettre en pril les morales ? Et pourquoi estce le sacr que, toujours, on invoque pour faire barrage la force insurrectionnelle de tel tableau, de tel film, de tel livre ? Jacques Henric, dans {la Peinture et le Mal}, avait propos un dbut de rponse. Il poursuit ici son enqute en prenant pour objet le roman. Ainsi sur la scne de sa tragicomdie dfilent de graves, joyeuses ou pittoresques figures : Ulysse, Kafka, Nietzsche, Jarry, Leiris, Bataille, Stendhal, Cline, Warhol et les autres...des mystiques, des femmes, des saints, des fous, des prostitues... Il y a dans la littrature un 'parti de la mort' et un 'parti de la joie'. Jacques Henric montre dans quel camp se situe le roman. About the Author Jacques Henric est critique d'art et crivain.
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