Title
Listening Subjects: Music, Psychoanalysis, Culture,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
In Listening Subjects, David Schwarz Uses Psychoanalytic Techniques To Probe The Visceral Experiences Of Music Listeners. Using Classical, Popular, And Avantgarde Music As Texts, Schwarz Addresses Intriguing Questions: Why Do Bodies Develop Goose Bumps When Listening To Music And Why Does Music Sound So Good When Heard 'All Around?' By Concentrating On Music As Cultural Artifact, Listening Subjects Shows How The Historical Conditions Under Which Music Is Created Affect The Listening Experience.Schwarz Applies The Ideas Of Postlacanian Psychoanalytic Theorists Slavoj Zizek, Julia Kristeva, And Kaja Silverman To An Analysis Of Diverse Works. In A Discussion Of John Adamss Opera Nixon In China, He Presents Music Listening As A Fantasy Of Being Enclosed In A Second Skin Of Enveloping Sound. He Looks At The Song Cycles Of Franz Schubert As An Examination And Expression Of Epistemological Doubts At The Advent Of Modernism, And Traverses Fantasy 'Space' In His Exploration Of The White Noise At The End Of The Beatles 'I Want You (Shes So Heavy).' Schwarz Also Considers The Psychosexual Undercurrent In Peter Gabriels 'Intruder' And The Textual And Ideological Structures Of German Oi Musik. Concluding With A Reading Of Two Compositions By Diamanda Gals, He Reveals How Some Performances Can Simultaneously Produce Terror And Awe, Abjection And Rage, Pleasure And Displeasure. This Multilayered Study Transcends Other Interventions In The Field Of Musicology, Particularly In Its Groundbreaking Application Of Literary Theory To Popular And Classical Music.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.