Title
Listening To Reading
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Cultural Writing. Poetics.Listening To Reading Presents Two Different Kinds Of Writing About Poetry Critical Analysis And Performance Both Of Which Pay Particular Attention To Sound, Shape, And Relation Of Sound/Shape To Meaning. It Offers A Critical And Performative Presentation Of Experimental Writing, Including Essays On Work By Meimei Berssenbrugge, David Bromige, Lyn Hejinian, Clark Coolidge, Beverly Dahlen, Susan Howe, Michael Palmer, Leslie Scalapino And Others. [This] Discussion Of Difficult, Ostensibly Inaccessible' Poetries Cries Out For A Wider Audience, And Could Have A Farreaching Impact On Our General Understanding Of Critical Theory And Practice Joe Amato. Among Stephen Ratcliffe'S Many Titles Available From Spd Are Idea'S Mirror, Present Tense And Mallarme: A Poem In Prose.
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- Q: What is the page count of the book 'Listening to Reading'? A: This book has two hundred fourteen pages. It includes critical analysis and performance writing about poetry.
- Q: What are the dimensions of 'Listening to Reading'? A: The book measures six inches in length, half an inch in width, and nine inches in height. These dimensions make it a compact paperback.
- Q: What type of binding does 'Listening to Reading' have? A: The book features paperback binding. This makes it flexible and lightweight for easy reading.
- Q: Who is the author of 'Listening to Reading'? A: The author of this book is Stephen Ratcliffe. He discusses various aspects of poetry and critical theory.
- Q: What is the genre of 'Listening to Reading'? A: The genre is cultural writing and poetics. It focuses on the interplay between sound, shape, and meaning in poetry.
- Q: Is 'Listening to Reading' suitable for beginners in poetry? A: Yes, it is suitable for beginners. The critical and performative analyses can enhance understanding of experimental poetry.
- Q: How can I use 'Listening to Reading' effectively? A: You can read it as a study guide or for personal enrichment. It provides insights into the relationship between sound and meaning.
- Q: Is there a specific audience for 'Listening to Reading'? A: Yes, it is aimed at poetry enthusiasts and scholars. Those interested in experimental writing will find it particularly engaging.
- Q: How should I store 'Listening to Reading' to keep it in good condition? A: Store the book in a cool, dry place away from direct sunlight. This will prevent damage to the cover and pages.
- Q: Can I clean 'Listening to Reading' if it gets dirty? A: Yes, you can clean it gently. Use a dry cloth to wipe off dust or smudges without damaging the cover.
- Q: What if 'Listening to Reading' arrives damaged? A: You should contact the seller for a return or exchange. Most sellers offer a return policy for damaged items.
- Q: Is there a warranty for 'Listening to Reading'? A: No, there is typically no warranty for books. However, check with the seller for specific return policies.
- Q: What kind of critical analysis does 'Listening to Reading' provide? A: It offers insights into experimental poetry through essays and discussions. It emphasizes the importance of sound in poetry.
- Q: Are there any notable poets discussed in 'Listening to Reading'? A: Yes, it discusses poets like Mei-mei Berssenbrugge and Susan Howe. Their works are analyzed for sound and meaning.
- Q: Is 'Listening to Reading' considered a good resource for understanding critical theory? A: Yes, it is regarded as a valuable resource. Its discussions can enhance your grasp of critical theory in poetry.
- Q: What makes 'Listening to Reading' unique? A: Its focus on the performative aspects of poetry sets it apart. It blends critical analysis with a performative lens.