Title
Literary Journalism in the Twentieth Century,Used
Sold by Ergodebooks, an authorized reseller.
Returns accepted within 30 days | support@ergodebooks.com
Shipping Information
- Free Standard Shipping — United States only
- Processing Time: 1–3 business days
- Estimated Delivery: 3–5 business days after dispatch
- Double-boxed, fully insured & discreetly packaged
- Tracking number sent via email once dispatched
- Orders over $250 require signature upon delivery. Taxes calculated at checkout.
Returns & Refund
Returns accepted within 30 days of delivery.
Damaged or Defective Item
Free return shipping + replacement or full refund
Wrong Item Received
Free return shipping + replacement or full refund
Change of Mind
Return shipping at customer's expense · 25% restocking fee applies
Payment Option
In 1953, Mary McCarthy published an article in Harper's entitled "Artists in Uniform" telling the story of a woman who encountered an antiSemitic colonel on a train. Readers approached the tale as fiction, finding symbolic meaning in everything from what the Colonel ate to the clothes the woman wore. Soon after its appearance, McCarthy wrote a sequel called "Settling the Colonel's Hash" in which she explained that "there were no symbols in this story; no deeper level": it had been simply a fragment of memoir. But critics immediately took issue with McCarthy's assumption that two literary arenas existthat there is a clear difference between autobiographical and fictional narrativeand the incident has become a classic illustration of the fascinating and nebulous borderlands that lie between fact and fiction.From the experiments of Hutchins Hapgood, W.E.B. Du Bois, James Agee, and Joe Mitchell to the challenges posed by the New Journalists and contemporary literary journalists such as John McPhee, this collection explores the fine line between fiction and nonfiction from both historical and critical perspectives. What motives led Ernest Hemingway to return to extended narrative nonfiction after becoming a successful novelist? Why did John Steinbeck write The Grapes of Wrath as a novel rather than a work of journalism? How does the "plain style" of writers like Swift, Defoe, and Orwell affect the reader's sense of what is true and what is "made up"? In what way does the Mary McCarthy episode illuminate the ways in which we approach fiction and nonfiction? Raising a wealth of intriguing questions, Literary Journalism in the Twentieth Century offers a forum for discussion, involving the reader in what becomes an active definition of literary journalism. The book assembles essays by such wellknown critics as Tom Connery, Ron Weber, William Howarth, Norman Sims, John Pauly, Shelley Fisher Fishkin, Hugh Kenner, David Eason, Kathy Smith, and Darrel Mansell. Lively and unique, Literary Journalism in the Twentieth Century concerns the very essence of literature itself, showing how writers have reshaped styles to permit passage across the borders between fact and fiction, in the process investigating what these borders might be, and if they exist at all.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.