Locating East Asia In Western Art Music (Music / Culture)

Locating East Asia In Western Art Music (Music / Culture)

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SKU: SONG0819566624
UPC: 9780819566621
Brand: Wesleyan University Press
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How Does A Piece Of Music Embody The Sound Of A Different Culture?The Traditional Musics Of China, Japan And Korea Have Been An Important Source Of Inspiration For Many Western Composers. Some, Like Chou Wenchung And John Cage, Have Moved Beyond Superficial Borrowing Of Eastern Musical Elements In Earnest Attempts To Understand Nonwestern Principles Of Composition. At The Same Time, Many Asian Composers, Often Trained In The West Or In Western Music Traditions, Have Been Using Asian Elements To Create Works Of Unique Musical Synthesis. As A Result Of Such Cultural Interpenetrations, The Landscape Of Western Art Music Has Been Irreversably Altered.Locating East Asia In Western Art Music Is A Comparative Study Of Asianinfluenced Western Composers And Westerninfluenced Asian Composers, And The First Sustained Exploration Of This Cross Cultural Exchange. Bringing Together Work By Music Theorists, Musicologists And Ethnomusicologists, This Book Explores How Musical Notions Of East And West Are Constructed And Utilized By Composers, And Reevaluates The Many Ways East Asian Composers Have Contributed To Developments In Twentieth Century Music. Composers Discussed Include John Cage, Toru Takemitsu, Chou Wenchung, Toshiro Mayuzumi, Isang Yun, Tan Dun, John Zorn, And Henry Cowell.Contributors: Hugh De Ferranti, Yayoi U. Everett, Judith Herd, Ellie Hisama, Eric Lai, Frederic Lau, Fredric Lieberman, Steven Nuss, Nancy Rao, And Yu Siuwah.

⚠️ WARNING (California Proposition 65):

This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.

For more information, please visit www.P65Warnings.ca.gov.

  • Q: How many pages does the book have? A: This book contains three hundred twenty-one pages. It offers a comprehensive exploration of East Asian influences in Western art music.
  • Q: What are the dimensions of this book? A: The book measures six point zero two inches in length, one point zero two inches in width, and eight point nine four inches in height.
  • Q: What type of binding does this book have? A: This book has a paperback binding. It is designed for easy reading and handling.
  • Q: Who is the author of this book? A: The author is Yayoi Uno Everett. She brings valuable insights into the crossover of musical cultures.
  • Q: Is this book suitable for scholars of ethnomusicology? A: Yes, this book is highly suitable for scholars of ethnomusicology. It provides in-depth analysis of cultural interactions in music.
  • Q: What themes are explored in this book? A: The book explores themes of cultural exchange, composition principles, and the influence of East Asian music on Western composers.
  • Q: How can I use this book for my studies? A: You can use this book as a critical resource for understanding cross-cultural musical influences. It is ideal for research and academic purposes.
  • Q: Is this book appropriate for undergraduate students? A: Yes, this book is appropriate for undergraduate students. It offers foundational knowledge in ethnomusicology and cultural studies.
  • Q: What is the target audience for this book? A: The target audience includes students, scholars, and anyone interested in the intersection of Eastern and Western music.
  • Q: How should I care for this book? A: To care for this book, store it in a dry place and avoid direct sunlight. Keeping it on a shelf will help maintain its condition.
  • Q: Can this book be returned if damaged? A: Yes, you can return this book if it arrives damaged. Check the return policy for specific instructions on how to proceed.
  • Q: What should I do if I receive the wrong book? A: If you receive the wrong book, contact customer support for assistance with returning it and obtaining the correct item.
  • Q: How can I keep my book in good condition? A: To keep your book in good condition, handle it gently and avoid bending the spine. Regularly dusting the cover can also help.
  • Q: Are there any reviews available for this book? A: Yes, reviews for this book can be found online. They highlight its contributions to understanding musical and cultural exchanges.
  • Q: Does this book include illustrations or musical examples? A: No, this book does not include illustrations or musical examples. It focuses primarily on theoretical discussions and analyses.
  • Q: Is there a digital version of this book available? A: Yes, a digital version of this book may be available. Check with the publisher for more details on formats.

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