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Looking High and Low: Art and Cultural Identity,Used
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Can lowriders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questionsand the broader question "What is art?"by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art have been influenced by social process and aesthetic values.Arguing that art is constituted across cultural boundaries rather than merely inside them, the contributors explore the relations between art, cultural identity, and the social languages of evaluationamong artists, art critics, art institutions, and their audiencesin the Southwest and in Mexico. The authors use anthropological methods in art communities to uncover compelling evidence of how marginalized populations make meaning for themselves, how images of ethnicity function in commercial culture, how Native populations must negotiate sentimental marketing and institutional appropriation of their art work, and how elite populations use culture and ritual in ways that both reveal and obscure their power and status. The authors make dramatic revelations concerning the construction and contestation of ideas of art as they circulate between groups where notions of what art "should" be are often at odds with each other.This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art.ContentsIntroduction: Art Hierarchies, Cultural Boundaries, and Reflexive Analysis, Brenda Jo BrightBellas Artes and Artes Populares: The Implications of Difference in the Mexico City Art World, Liza BakewellSpace, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 19721978, Marcos SanchezTranquilinoRemappings: Los Angeles Low Riders, Brenda Jo BrightMarketing Maria: The Tribal Artist in the Age of Mechanical Reproduction, Barbara BabcockAesthetics and Politics: Zuni War God Repatriation and Kachina Representation, Barbara TedlockMiddlebrow into Highbrow at the J. Paul Getty Trust, Los Angeles, George E. Marcus
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- Q: What is the page count of this book? A: This book contains two hundred ten pages. It's a paperback edition published by the University of Arizona Press.
- Q: What are the dimensions of the book? A: The book measures six point two six inches in length, zero point seven five inches in width, and nine point two five inches in height.
- Q: Who is the author of 'Looking High and Low'? A: The author of this book is Brenda Jo Bright, who contributes her expertise on art and cultural identity.
- Q: How do I read this book? A: You can read this book by simply opening it and following the chapters. It discusses various essays on art in cultural contexts.
- Q: Is this book suitable for academic study? A: Yes, the book is suitable for academic study. It provides in-depth essays that explore art, culture, and identity, making it a valuable resource.
- Q: What themes are covered in this book? A: The book covers themes such as cultural identity, art evaluation, and the social languages of art among various communities.
- Q: How should I store this book? A: Store the book in a cool, dry place away from direct sunlight to preserve its condition. Keeping it upright can help prevent warping.
- Q: Can I clean this book? A: No, you should not clean the book with liquids. Dust it gently with a soft cloth to avoid damage to the pages.
- Q: Is this book appropriate for young adults? A: Yes, the book is appropriate for young adults. It discusses complex themes but is written in an accessible manner for a broader audience.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you can return it for a replacement or refund. Be sure to follow the return policy guidelines provided.
- Q: What type of binding does this book have? A: This book is bound in paperback format, making it lightweight and convenient for reading.
- Q: Are there illustrations in the book? A: No, this book primarily contains text and essays without illustrations. The focus is on the written content.
- Q: How does this book compare to other art books? A: This book stands out by addressing cultural identity and social processes in art, unlike many books that focus solely on aesthetics.
- Q: What is the main question the book attempts to answer? A: The main question the book attempts to answer is, 'What is art?' and how cultural context influences this definition.
- Q: Who published 'Looking High and Low'? A: The book is published by the University of Arizona Press, known for its academic and cultural literature.