Title
Looking High and Low: Art and Cultural Identity,Used
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Can lowriders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow" values at the J. Paul Getty Trust? Looking High and Low attempts to answer these questionsand the broader question "What is art?"by bringing together a collection of challenging essays on the meaning of art in cultural context and on the ways that our understandings of art have been influenced by social process and aesthetic values.Arguing that art is constituted across cultural boundaries rather than merely inside them, the contributors explore the relations between art, cultural identity, and the social languages of evaluationamong artists, art critics, art institutions, and their audiencesin the Southwest and in Mexico. The authors use anthropological methods in art communities to uncover compelling evidence of how marginalized populations make meaning for themselves, how images of ethnicity function in commercial culture, how Native populations must negotiate sentimental marketing and institutional appropriation of their art work, and how elite populations use culture and ritual in ways that both reveal and obscure their power and status. The authors make dramatic revelations concerning the construction and contestation of ideas of art as they circulate between groups where notions of what art "should" be are often at odds with each other.This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art.ContentsIntroduction: Art Hierarchies, Cultural Boundaries, and Reflexive Analysis, Brenda Jo BrightBellas Artes and Artes Populares: The Implications of Difference in the Mexico City Art World, Liza BakewellSpace, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 19721978, Marcos SanchezTranquilinoRemappings: Los Angeles Low Riders, Brenda Jo BrightMarketing Maria: The Tribal Artist in the Age of Mechanical Reproduction, Barbara BabcockAesthetics and Politics: Zuni War God Repatriation and Kachina Representation, Barbara TedlockMiddlebrow into Highbrow at the J. Paul Getty Trust, Los Angeles, George E. Marcus
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- Q: What is the main theme of 'Looking High and Low: Art and Cultural Identity'? A: The main theme explores the definitions and perceptions of art across cultural boundaries, examining how various communities interpret and value art differently.
- Q: Who is the author of this book? A: The book is authored by Brenda Jo Bright, who contributes to discussions on art and cultural identity.
- Q: How many pages does 'Looking High and Low' have? A: The book contains 210 pages.
- Q: What type of condition is the used book in? A: The used book is in good condition.
- Q: What is the publication date of this book? A: The book was published on November 1, 1995.
- Q: Is this book available in hardcover or paperback? A: This book is available in paperback binding.
- Q: What topics are covered in the essays within the book? A: Topics include the implications of cultural identity in art, the contrast between graffiti and murals, and the marketing of Native American art.
- Q: What is the significance of the essays in this book? A: The essays challenge conventional ideas of art by providing ethnographic insights into how marginalized populations define and evaluate art.
- Q: Are there any specific cultural movements discussed in the book? A: Yes, the book discusses cultural movements such as Chicano murals and the low-rider culture in the Southwest.
- Q: Can this book be used as a resource for academic studies? A: Yes, the book is suitable for academic studies, particularly in fields related to art, anthropology, and cultural studies.