Title
Love Poems From The Japanese (Shambhala Library),Used
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Drawn From Classical, Medieval, And Modern Sourcesincluding The Imperial Collections Of The Manyoshu And Kokinshuthe Poems In This Collection Are Some Of The Greatest Love Poems From The Japanese Tradition. The Poems Range In Tone From The Spiritual Longing Of An Isolated Monk To The Erotic Ecstasy Of A Court Princessbut Share The Extraordinary Simplicity And Luminosity Of Language That Marks Kenneth Rexroth'S Verse Style. An Introduction By The Poet And Translator Sam Hamill, The Editor Of This Collection, And Short Biographies Of The Poets Are Included.The Shambhala Library Is A Series Of Exquisitely Designed And Produced Cloth Editions Of The World'S Spiritual And Literary Classics, Both Ancient And Modern. Perfect For Collecting Or As Gifts, Each Volume Features A Sewn Binding, Decorative Endsheets, And A Ribbon Markera Delightfultohold 4 X 6 Trim Size.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: What is the size of 'Love Poems from the Japanese'? A: The book measures four and a quarter inches by six and three quarters inches. It is designed to be a delightful-to-hold size.
- Q: How many pages does this book have? A: The book contains one hundred seventy-six pages. This length allows for a rich collection of poems without being overwhelming.
- Q: What type of binding does this book have? A: It features a hardcover binding. This ensures durability, making it ideal for both collection and gifting.
- Q: Who is the author of 'Love Poems from the Japanese'? A: The book is compiled and translated by Sam Hamill. He provides an insightful introduction and short biographies of the poets.
- Q: Is this book based on classical sources? A: Yes, the poems are drawn from classical, medieval, and modern sources. This includes significant works from the Manyoshu and Kokinshu collections.
- Q: What themes do the poems in this collection explore? A: The poems explore themes of love ranging from spiritual longing to erotic ecstasy. This diversity showcases the breadth of the Japanese love poetry tradition.
- Q: How should I read this book for the best experience? A: It’s recommended to read the poems slowly and reflectively. This allows you to fully appreciate the beauty and simplicity of the language.
- Q: Is this book suitable for gifting? A: Yes, it's perfect for gifting. The exquisite design and thoughtful content make it an ideal choice for lovers of poetry and literature.
- Q: What should I know about the condition of this used book? A: It is described as a used book in good condition. This implies it has been previously owned but remains in a state suitable for reading.
- Q: Can I find this book in libraries? A: Yes, many libraries may carry this title. It's a popular collection due to its literary significance in Japanese poetry.
- Q: What is the main focus of the introduction by Sam Hamill? A: The introduction provides context and insight into the poems and poets. Hamill's perspective enhances the reader's understanding of the collection.
- Q: Are the poems in this collection suitable for all ages? A: Yes, the poems can be appreciated by readers of various ages. However, the themes may resonate more with mature audiences.
- Q: How should I store this hardcover book? A: Store it upright on a shelf away from direct sunlight. This will help preserve the book's condition and longevity.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or exchange. Most sellers have policies in place for such situations.
- Q: What makes this book part of the Shambhala Library? A: It is part of the Shambhala Library series, known for its beautifully designed cloth editions of spiritual and literary classics.
- Q: Does this book include illustrations? A: No, this collection primarily focuses on the text of the poems. The emphasis is on the beauty of the language rather than illustrations.