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This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeares most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant minor characters and less commonly examined textual passages. Further chapters scrutinize Macbeths performance, adaptation and transformation across several mediastage, film, text, and hypertextin cultural settings ranging from early nineteenthcentury England to late twentiethcentury China. The editors extensive introduction surveys critical, theatrical, and cinematic interpretations from the late seventeenth century to the beginning of the twentyfirst, while advancing a synthetic argument to explain the shifting relationship between two conflicting strains in the tragedys reception. Written to a level that will be both accessible to advanced undergraduates and, at the same time, useful to postgraduates and specialists in the field, this book will greatly enhance any study of Macbeth.Contributors: Rebecca Lemon, Jonathan Baldo, Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner, Michael David Fox, James Wells, Laura Engel, Stephen Buhler, Biqi Beatrice Lei, Kim Fedderson and J. Michael Richardson, Bruno Lessard, Pamela Mason.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer,
birth defects, or other reproductive harm.
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