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In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wideranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flauberts correspondence, the work of literary critics, and JeanPaul Sartres analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
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