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Frida Kahlo leans against a concrete wall, looking somberly down while an anklelength skirt flutters around her. Elsewhere, the tight screws of plough blades stack interlocked on a warehouse floor, utilitarian subjects coalescing into a heady abstract pattern. From his first days as a photographerwith the backing of such greats as Tina Modotti, Edward Weston, Paul Strand and Henri CartierBressonManuel Alvarez Bravo worked over a wide range of styles and subject matterformalist abstraction, architecture, interiors, landscapes, still lifes, and portraitswith a consistent focus on the landscape and social geography of Mexico. In his concise vision of his homeland, it was both a real and symbolic landscape populated with subjects detained in dream world tableaux of desire, solitude, candor and foreboding. Eyes in His Eyes reintroduces some of the artist's overlooked masterpieces, and reveals, for the first time, a broad selection of neverbeforeseen images from his private archives. In his 80year career, Alvarez Bravo printed, published and exhibited only a thousand images. This portfolio, culled with the help of the artist himself, and completed after his death, is full of unfamiliar abstractions, portraits, landscapes and street photography. It provides an invaluable reentry into the visual poetry of one of Mexico's most gifted artists and a Modern master of photography.
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